Intricate Movements

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A01=Bradley Tuggle
analogical thinking in English poetry
animal analogies
Animal Kingdom
Animal Studies
Author_Bradley Tuggle
Book III
Busirane Episode
Capital Punishment
Category=DSA
Category=DSBD
Category=DSC
early modern humanism
Early Modern Passions
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethical subjectivity
Faerie Queene
Inexpressibility Topos
Late Sixteenth Century England
literary epistemology
Mother Hubberds Tale
Oak Apple
Omne Tulit Punctum
ontological inquiry
Renaissance literature
Scala Naturae
Secular Liturgy
Sidney's Defence
Sidney's Romance
Sidney’s Defence
Sidney’s Romance
Spenser's Complaints
Spenser's Poem
Spenser’s Complaints
Spenser’s Poem
Van Inwagen
Virgil's Gnat
Virgil’s Gnat
Wollaton Hall
Young Men

Product details

  • ISBN 9781032093611
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Renaissance humanism takes as one of its subjects for inquiry the category of the human itself. As Intricate Movements: Experimental Thinking and Human Analogies in Sidney and Spenser shows, late sixteenth-century English poets found some remarkably radical ways to interrogate and redefine the status of humans.

The recent vogue for posthumanist theory encourages a view of non-human objects and animals in Renaissance literature as pathways to essentially anti-humanist thought. On the contrary, this book argues that Sidney, Spenser, and their contemporaries employ animals, earth, buildings, and fictions as analogies employed toward a better understanding of what makes humans a special category, both ontologically and ethically. Horses and riders are studied by Sidney as a way to understand readers and writers; the 1580 Dover Straits Earthquake provides Spenser and Gabriel Harvey an opportunity to explore human emotion; liturgical spaces are represented by Sidney and Spenser in order to reassess human community; and fictional persons are interrogated by Spenser as models for human interpersonal epistemology.

This volume seeks to return critical assessments of the period's engagement with the non-human back to human concerns. Focusing on several early modern analogies between human and non-human entities, Intricate Movements argues Sidney's and Spenser's thinking about the human is both radically experimental and, ultimately, humane.

Brad Tuggle earned an M.Phil. (with thesis) in Renaissance English Literature at Trinity College, Oxford as a Rhodes Scholar. He then earned his Ph.D. at the University of Virginia, working with Elizabeth Fowler, James Nohrnberg, Katharine Maus, and Clare Kinney. After teaching stints at Sewanee and Spring Hill College, he is now an Associate Professor in the Honors College at The University of Alabama, his alma mater. His work has been published in Spenser Studies, Sidney Journal, and Explicator.

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