Introduction to Japanese Folk Performing Arts

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A01=Terence A. Lancashire
aichi
Aichi Prefecture
asobi
Author_Terence A. Lancashire
Awaji Island
Bon Odori
Buddhist theatrical traditions
Category=ATQ
Category=ATX
Category=AVLA
cultural
cultural anthropology Japan
Ennen Performances
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Folk Performing Arts
Gion Festival
Hamada City
Hana Matsuri
Honda Yasuji
important
Important Intangible Folk Cultural Property
intangible
Japanese Folk Performing Arts
Kagura Dance
kagura dance forms
Lion Dances
Lunisolar Calendar
Muromachi Period
nenbutsu
Nenbutsu Odori
Obon Dances
odori
Onna Kabuki
prefecture
property
regional folk performance research
rural Japanese festivals
Sado Island
Sato Kagura
shimane
Shinto ritual performance
Shishi Mai
Ta Asobi
Take Place
traditional group dances
Yasaka Shrine
Young Men

Product details

  • ISBN 9781409431336
  • Weight: 635g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Nov 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Japanese folk performing arts incorporate a body of entertainments that range from the ritual to the secular. They may be the ritual dances at Shinto shrines performed to summon and entertain deities; group dances to drive away disease-bearing spirits; or theatrical mime to portray the tenets of Buddhist teachings. These ritual entertainments can have histories of a thousand years or more and, with such histories, some have served as the inspiration for the urban entertainments of no, kabuki and bunraku puppetry. The flow of that inspiration, however, has not always been one way. Elements taken from these urban forms could also be used to enhance the appeal of ritual dance and drama. And, in time, these urban entertainments too came to be performed in rural or regional settings and today are similarly considered folk performing arts. Professor Terence Lancashire provides a valuable introductory guide to the major performance types as understood by Japanese scholars.
Professor Terence A. Lancashire, Osaka Ohtani University, Japan

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