Invasion of the Body Snatchers

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A01=Barry Keith Grant
AI and human replacement in film
alien duplication
American horror
Author_Barry Keith Grant
Barry Keith Grant
Category=ATF
Category=ATFA
Category=ATFB
Category=ATFG
clones and artificial beings
Cold War cinema
conformity and identity
cult cinema
Don Siegel
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film remakes
forthcoming
gender politics in horror
Hollywood B-movies
Invasion of the Body Snatchers (1956)
McCarthyism and film
metaphor of the monstrous
political allegory in cinema
post-war modernity
post-war paranoia
science fiction horror

Product details

  • ISBN 9781805750383
  • Dimensions: 135 x 190mm
  • Publication Date: 03 Sep 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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With its narrative of emotionless alien duplicates replacing average folk, Don Siegel’s 1956 Invasion of the Body Snatchers was the first post-war horror film to locate the monstrous in the everyday, thus marking it as a pivotal moment in American horror film history four years before Alfred Hitchcock’s Psycho. Barry Keith Grant’s compelling study traces Invasion’s journey from ‘B’ movie thriller to an acknowledged classic of American cinema. Grant unpacks the film’s engagement with numerous issues brewing in post-war US society, including the Cold War, McCarthyism and the changing dynamics of gender relations.

Grant provides an account of Invasion’s fraught production history, the distinctive contributions of key crew members, and discusses the three remakes it has inspired. He illustrates how Invasion of the Body Snatchers’ enduring popularity derives from its central metaphor for the monstrous, which has proven as flexible as that of the vampire and the zombie.

In his afterword to this new edition, Grant addresses contemporary anxieties around AI and human ‘replacement’, bringing in such recent films as Companion (2025), The Creator (2023) and Ex Machina (2014).

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is the author of 100 American Horror Films (2022) and 100 Science Fiction Films (2013), and co-author of 100 Documentary Films (2009) in the BFI Screen Guides series.

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