Inventing the Romantic Don Quixote in France

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A01=Clark Colahan
Author_Clark Colahan
British Quixotism
Case Historical Figures
Category=DSBF
Cervantes
Chivalric Fiction
Commedia dell'Arte
Commedia dellArte influence
Commedia dell’Arte
David Simple
De La Chaise
Don Quixote
Don Quixote's Madness
Dulcinea Del Toboso
El Celoso
Enlightenment literature
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eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
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Fairy Tales
FLC.
French Romantic reinterpretation of Don Quixote
Galley Slaves
Good Life
Home Town
Interpolated Tale
Jansenist
Jansenist philosophy
Knight Errant
La Chaise
Le Diable Boiteux
Long Sword
Master Peter's Puppet Show
moral exemplarity studies
Napoleon III
Orange Blossom
Parafaragaramus
religious satire analysis
Sarah Fielding
utopian fiction theory
Vorschule Der Aesthetik
Young Man

Product details

  • ISBN 9781032467252
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 22 Jun 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Cervantes’ now mythical character of Don Quixote began as a far different figure than the altruistic righter of wrongs we know today. The transformation from mad highway robber to secular saint took place in the Romantic Era, but how and where it began has just begun to be understood. Germany and England played major roles, but, contrary to earlier literary historians, Pascal, Racine, Rousseau and the Jansenists scooped Henry and Sarah Fielding. Jansenism, a persecuted puritanical and intellectual movement linked to Pascal, identified itself with Don Quixote’s virtues, excused his vices, and wrote a game-changing sequel mediated by the transformative powers of a sorcerer from Commedia dell’Arte. As an early Romantic, Rousseau was attracted to the hero’s fertile imagination and tender love for Dulcinea, foregrounding the would-be knight’s quest in a play and his best-selling novel, Julie. Sarah Fielding reacted similarly, basing her utopian novel David Simple on the Jansenist concept of quixotic trust in others. Colahan here reproduces and explains for the first time the extremely rare original illustrations of the French sequel to Cervantes’ novel, and documents the fortunes in French culture of the magician at the heart of the Romantic Quixote.

Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Clark Colahan is Anderson Professor of Humanities, Emeritus, at Whitman College, USA. He is the author of several books and numerous articles on Spanish and French literature of the Early Modern period and the Enlightenment. He is the author of The Visions of Sor María de Agreda: Writing Knowledge and Power, the co-editor of Spanish Humanism on the Verge of the Picaresque, and the co-author of the English translation of Cervantes’ last novel, The Trials of Persiles and Sigismunda.

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