Invisibility in African American and Asian American Literature

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A01=Klara Szmanko
Author_Klara Szmanko
Category1=Non-Fiction
Category=DSBH
Category=DSK
Category=NL-DS
COP=United States
Discount=15
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Format=BC
Format_Paperback
IMPN=McFarland & Co Inc
ISBN13=9780786439522
Language_English
NC
PA=Available
PD=20100815
POP=Jefferson
Price_€50 to €100
PS=Active
PUB=McFarland & Co Inc
Subject=Literature: History & Criticism

Product details

  • ISBN 9780786439522
  • Format: Paperback
  • Weight: 313g
  • Dimensions: 152 x 229mm
  • Publication Date: 22 Sep 2008
  • Publisher: McFarland & Co Inc
  • Publication City/Country: Jefferson, US
  • Product Form: Paperback
  • Language: English
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The book is a comparative study of the invisibility trope in African American and Asian American literature. It distinguishes between various kinds of invisibility and offers a genealogy of the term while providing a theoretical dissection of the invisibility trope itself. Investigating the various ways of striving for visibility, the author places special emphasis on the need for cooperation among various racial groups.

While the book explores invisibility in a variety of African American and Asian American literary texts, the main focus is on four novels: Ralph Ellison's Invisible Man, Sam Greenlee's The Spook Who Sat by the Door, Maxine Hong Kingston's Tripmaster Monkey and Chang-rae Lee's Native Speaker. The book not only sheds light on the oppressed but also exposes the structures of oppression and the apparatus of power, which often renders itself invisible. Throughout the study the author emphasizes that power is multi-directional, never flowing only in one direction. The book brings to light mechanisms of oppression within the dominant society as well as within and between marginalized racial groups.

Klara Szmańko is an academic lecturer specializing in American ethnic literature, in particular Asian American and African American literature.

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