Invisibility of Religion in Contemporary Art

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A01=Jonathan A. Anderson
art history
Author_Jonathan A. Anderson
Category=AGA
Category=AGR
Category=QRM
Category=QRVG
contemporary art and theology
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
postsecularity
religion and modern art
religious aesthetics
secularization theory
spirituality in art
theology art criticism

Product details

  • ISBN 9780268209186
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Apr 2025
  • Publisher: University of Notre Dame Press
  • Publication City/Country: US
  • Product Form: Hardback
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The Invisibility of Religion in Contemporary Art offers a critical guide for rereading and rethinking religion in the histories of modern and contemporary art.

Since the turn of the twenty-first century, there has been a marked increase in attention to religion and spirituality in contemporary art among artists and scholars alike, but the resulting scholarship tends to be dispersed, disjointed, and underdeveloped, lacking a sustained discourse that holds up as both scholarship of art and as scholarship of religion. The Invisibility of Religion in Contemporary Art is both a critical study of this situation and an adjustment to it, offering a much-needed field guide to the current discourse of contemporary art and religion. By connecting the work of leading art historians, theologians, philosophers, and sociologists, Jonathan A. Anderson uncovers the gaps and reveals opportunities for scholars to engage more fully with the theological grammars, histories, and concepts at play in modern and contemporary art.

By addressing the religious blind spots in existing scholarship, Anderson opens new lines of inquiry and invites deeper dialogue among religious studies, theology, and art history and criticism.

Jonathan A. Anderson is the Eugene and Jan Peterson Associate Professor of Theology and the Arts at Regent College. He is the co-author of the book Modern Art and the Life of a Culture: The Religious Impulses of Modernism.

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