Iphigenia in Aulis

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A01=Andy Hinds
A01=Euripides
A01=Martine Cuypers
A02=Martine Cuypers
Aeschylus
Agammemnon
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Atreus
Author_Andy Hinds
Author_Euripides
Author_Martine Cuypers
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B06=Andy Hinds
Category1=Non-Fiction
Category=DD
classic
Clytemnestra
COP=United Kingdom
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Format=BC
Format_Paperback
gods
greek
Helen
Iphigenia
Language_English
PA=Temporarily unavailable
Paris
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softlaunch
tragedy
trilogy
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Product details

  • ISBN 9781786821355
  • Format: Paperback
  • Weight: 320g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Apr 2017
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Two versions of Euripides’ masterpiece in a new verse translation by Andy Hinds, with Martine Cuypers.

The first version of Iphigenia in Aulis in this volume is a translation of the complete text as it has come down to us via the only surviving manuscript – a highly corrupt text containing numerous interpolations by hands other than Euripides. The second, shorter version offers a tried and tested, more performable ‘stage’ version of the play.

The translation is the result of a close collaboration between theatre director and playwright, Andy Hinds (author of Acting Shakespeare’s Language), and Classics scholar, Dr. Martine Cuypers (Trinity College, Dublin). Whilst preserving a scholarly fidelity to the original Greek, the translation is written in a clear and energetic verse, designed to be as 'performable' in the theatre, as it is ‘readable’ in the home or study. It will be of equal interest and use, therefore, to teachers, students and academics, to actors and directors, and to the general reader.

Companion Volume
Iphigenia in Aulis is released as a companion volume to Hinds’ translation of The Oresteia. Iphigenia represents Euripides’ version of a key episode in the great saga, The Fall of the House of Atreus, while The Oresteia relates Aeschylus’ version of the continuation and conclusion of the saga.

Andy Hinds has been a theatre director, playwright and acting teacher for thirty years, and for ten years was Artistic Director of Classic Stage Ireland. He has lectured for a number of years on classic European Theatre at the Drama Studies Centre at UCD and recently conducted a series of Masterclasses in 'Acting Shakespeare' at Shakespeare's Globe in London.

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