A01=Julia Caterina Hartley
Al-Afghani
Anna de Noailles
Author_Julia Caterina Hartley
ballet
Category=DS
Category=DSBF
Category=NHG
eq_bestseller
eq_biography-true-stories
eq_history
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eq_nobargain
eq_non-fiction
Felicien David
fiction
Flandin
Gobineau
historiography
Jane Dieulafoy
Judith Gautier
Le Mage
Loti
marionette theatre
Marthe Bibesco
Massenet
Michelet
opera
orientalism
Persian literature
poetry
Renan
Theophile Gautier
travel writing
Victor Hugo
Product details
- ISBN 9780755645633
- Weight: 460g
- Dimensions: 154 x 232mm
- Publication Date: 26 Jun 2025
- Publisher: Bloomsbury Publishing PLC
- Publication City/Country: GB
- Product Form: Paperback
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New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France’s perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran’s history and culture remained a constant source of inspiration across different generations and artistic movements, from the ‘Oriental’ poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier’s strategic citation of Persian poetry to his daughter Judith Gautier’s full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David’s opera Lalla Roukh, and ominous, as in Massenet’s Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers’ pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject.
Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen’s College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies.
