Iranian Cinema in a Global Context

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Agnes Devictor
Anne Demy-Geroe
Art House Films
Atwood
Bahman Ghobadi
BBC Persian
Blake Atwood
Category=ATF
Category=GTM
Category=JBCT
Category=NH
Cinema Stars
culture
Daniel Marcolino Claudino de Sousa
Dariush Mehrjui
Decherney
Divorce Iranian Style
Dramatic Arts Center
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fajr Film Festival
Fajr International Film Festival
Farzaneh Milani
Ferdinando Martins
film censorship Iran
film festival
Fim Studies
global media
global reception Iranian films
International Film Festival Circuit
Iran
Iranian Cinema
Iranian Cinema Artists
Iranian Filmmakers
IRI
Jafar Panahi
Jewish Iranian
Jewish representation film
John Limbert
Liliane Anjo
Main Character
Mazyar Lotfalian
Middel East Studies
Middle Eastern film studies
Mohsen Makhmalbaf
Naser Al Din Shah
national cinema
Negar Razavi
Norma Claire Moruzzi
Orly Rahimiyan
Parviz Jahed
Persheng Sadegh-Vaziri
politics
post-revolutionary cinema
Post-Revolutionary Iranian Cinema
Rakhshan Bani Etemad
Roxanne Varzi
Samira Makhmalbaf
transmedia
transnational media flows
underground film
Young Men
youth culture films
youth film

Product details

  • ISBN 9781138779341
  • Weight: 498g
  • Dimensions: 152 x 229mm
  • Publication Date: 09 Sep 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Iranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has been focused on a small segment of Iranian film production: auteurist art cinema. Iranian Cinema in a Global Context, on the other hand, takes account of the wide range of Iranian cinema, from popular youth films to low budget underground films. The volume also reassesses the global circulation of Iranian art cinema, looking at its reception at international festivals, in university curricula, and at the Academy Awards. A final theme of the volume explores the intersection between politics and film, with essays on post-Khatami reform influences, representations of ineffective drug policies, and the representation of Jewish characters in Iranian film. Taken together, the essays in this volume present a new definition of the field of Iranian film studies, one that engages global media flows, transmedia interaction, and a heterogeneous Iranian national cinema.

Peter Decherney is Professor of Cinema Studies and English and Director of the Cinema Studies Program at the University of Pennsylvania. He is the author of Hollywood’s Copyright Wars: From Edison to the Internet and Hollywood and the Culture Elite: How the Movies Became American. Blake Atwood is an Assistant Professor in the Department of Middle Eastern Studies at the University of Texas at Austin. He is the coordinator of the Persian Language Program and an affiliate of the Program in Comparative Literature.