A01=Fintan Cullen
Age Group_Uncategorized
Age Group_Uncategorized
art display politics nineteenth-century Ireland
Author_Fintan Cullen
automatic-update
Barker's Painting
Barker’s Painting
Category1=Non-Fiction
Category=ACV
Category=AGA
Category=AGC
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Donegal Industrial Fund
Dublin City Gallery
Dublin Exhibition
Dublin Museum
England's Greatness
England’s Greatness
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eviction Scenes
exhibition culture Ireland
Hugh Lane
Hugo Von Tschudi
Ireland
Irish Architectural Archive
Irish Free State
Kildare Street
Lady Aberdeen
Language_English
Lower Abbey Street
Magic Lantern Slides
Maud Gonne
Moore's Melodies
Moore’s Melodies
museum history Ireland
National Library
nineteenth-century Irish art
PA=Available
political symbolism in art
Porter's Panorama
Porter’s Panorama
Price_€100 and above
PS=Active
Royal Hibernian Academy studies
softlaunch
South Kensington System
St Patrick's Day
St Patrick’s Day
transatlantic cultural exchange
William III
York's MoMA
York’s MoMA
Young Man
Product details
- ISBN 9781409431091
- Weight: 702g
- Dimensions: 156 x 234mm
- Publication Date: 28 Feb 2012
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.
Fintan Cullen is Professor of Art History at the University of Nottingham. Previous books include Conquering England. Ireland in Victorian London (with R.F. Foster, 2005) and The Irish Face. Redefining the Irish Portrait (2004).
