Irish Feminist Futures

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A01=Claire Bracken
Alienated Subjectivity
Anne Enright
Anne Haverty
Author_Claire Bracken
Category=JBCC1
Category=JBCT
Category=JBSF1
Category=JBSF11
Category=JBSL
Category=JHBK
Category=NHTQ
Celtic Tiger
Celtic Tiger era
Celtic Tiger Ireland
Celtic Tiger Period
City West
Claire Bracken
Disco Pigs
Emma Donoghue
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eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist temporality in Ireland
gender and society
Grand Plaza Hotel
Herstory
intersectionality Ireland
Iona Institute
Ireland's Past
Ireland’s Past
Irish Femininity
Irish Feminist Futures
Irish Postmodernity
Leanne O'Sullivan
Leanne O’Sullivan
Main Characters
Marina Carr
Medbh McGuckian
migrancy and mobility studies
Migrant Woman's Body
Migrant Woman’s Body
Migrant Women
Migrant Women Writers
Modern Irish Life
Moody Teenagers
Nomadic Paradigm
Olutoyin Pamela Akinjobi
Post-feminist Discourses
Post-feminist Times
Postfeminist Discourse
postmodern Irish culture
Ursula Rani Sarma
Walsh's Work
Walsh’s Work
women's cultural production
Women’s Cultural Production
Young Man

Product details

  • ISBN 9780415635981
  • Weight: 430g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book is about the future: Ireland’s future and feminism’s future, approached from a moment that has recently passed. The Celtic Tiger (circa 1995-2008) was a time of extraordinary and radical change, in which Ireland’s economic, demographic, and social structures underwent significant alteration.

Conceptions of the future are powerfully prevalent in women’s cultural production in the Tiger era, where it surfaces as a form of temporality that is open to surprise, change, and the unknown. Examining a range of literary and filmic texts, Irish Feminist Futures analyzes how futurity structures representations of the feminine self in women’s cultural practice. Relationally connected and affectively open, these representations of self enable sustained engagements with questions of gender, race, sexuality, and class as they pertain to the material, social, and cultural realities of Celtic Tiger Ireland.

This book will appeal to students and scholars of Irish studies, Irish feminist criticism, sociology, cultural studies, literature, women's studies, gender studies, neo-materialist and feminist theories.

Claire Bracken is an associate professor in the English Department at Union College, New York, USA. Her publications focus on Irish literature and culture, post-feminism, feminist criticism, and women's writing.

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