Irish Theatre

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A01=Eamonn Jordan
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Animal Kingdom
Author_Eamonn Jordan
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Barbershop Quartet
Blue Boy
Category1=Non-Fiction
Category=DSA
Category=DSBF
Category=DSBH
Category=JBSA
Category=JFSC
Category=JHB
Celtic Tiger Period
contemporary Irish social stratification
Contemporary Irish Theatre
COP=United Kingdom
cultural capital theory
Cultural Labour
De Chirico's Painting
De Chirico’s Painting
Delivery_Pre-order
Dorothy Macardle
dramaturgy of protest
economic inequality analysis
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eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Familial Social Capital
Gay Detective
gender and race relations
Great British Class Survey
Inequalities
Intersecting
Intersectionality
intersectionality studies
Intraclass Conflicts
Irish Literary Theatre
Irish Plays
Irish Theatre
Kindle Edition
Language_English
Leaving Certificate
Middle Class Characters
PA=Not yet available
Price_€20 to €50
PS=Forthcoming
social class dynamics
softlaunch
Spain's Daughter
Spain’s Daughter
Ulster Literary Theatre
Violate
Working Class Characters
Working Class Loyalist Area
Working Class Writing
Young Man

Product details

  • ISBN 9781032017938
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Dec 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book on modern and contemporary Irish theatre traces how social, cultural and economic capital are circulated in order to demonstrate complex and often contradictory outlooks on equality/inequality. Individual chapters analyse property ownership and inheritance; wealth acquisition; employment conditions; educational access; intercultural encounters; sexual intimacy and violation; and acts of resistance, protest and solidarity.

This book addresses complex intergenerational, intercultural, racial, sectarian, ethnic, gender and inter- and intraclass dynamics from the perspective of ranked, objectifying, exploitative and coercive relationships but also in terms of commonalities, complicities, reciprocations and retaliations. Notable are the significances of wealth precarity and shaming; the consequences of anti-materialistic dramaturgical leanings; the pathologising of success; the fraught nature of solidarity; and the problematics of merit, divisive partitioning and muddled mésalliances. Ultimately the book wonders about how Irish theatre distinguishes between tolerable and intolerable inequalities that are culturally and socially but principally economically derived.

Eamonn Jordan received his B.Comm, M.A. and Ph.D. from the University College Dublin, Ireland, where he is currently Professor in Drama Studies at the School of English, Drama and Film. His previous publications include The Feast of Famine: The Plays of Frank McGuinness (1997), Dissident Dramaturgies: Contemporary Irish Theatre (2010) From Leenane to LA: The Theatre and Cinema of Martin McDonagh (2014), The Theatre and Films of Conor McPherson: Conspicuous Communities (2019) and Justice in the Plays and Films of Martin McDonagh (2020). He has edited/co-edited numerous collections, including The Palgrave Handbook of Contemporary Irish Theatre.

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