Ishtar Gate

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A01=Sarah Corbett
Author_Sarah Corbett
Category=DCC
Category=DCF
contemporary
eco-poetry
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Marina Abramovic
poetry
wilderness

Product details

  • ISBN 9781836244578
  • Dimensions: 118 x 189mm
  • Publication Date: 28 Apr 2025
  • Publisher: Liverpool University Press
  • Publication City/Country: GB
  • Product Form: Paperback
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Self and history collide, selves fracture, the flag is divided, monuments collapse. In her sixth collection, Sarah Corbett considers the fragments we might hold against dissolution, whether personal, national, or global. Midnight in Leningrad, 1940, Anna Akhmatova waits for a poem to arrive, in her hand an egg; on the 30th anniversary of the fall of the Berlin Wall, a writer recalls her breakdown as a student in 1989. In the pandemic year an isolated artist communes with a tree; visitors to an art gallery are led on a journey of rebirth; missives find their way back to us from a flooded world. The book opens with an invocation to the goddess Ishtar, and closes with the goddess rising from a spring thirty years in the future, ‘the world’s unspoken desire’ to be reborn. A series of ekphrastic ‘interventions’ respond to 20th century European cinema, the work of Serbian performance artist Marina Abramović, and consider what art can offer in face of the predicaments we find ourselves in. Summoning the ‘Red horse of time, white horse of poetry, blue horse of dreams,’ poetry’s answer is the search for connection, love; and for presence, where we might meet each other, transcendent.

Sarah Corbett has published five collections of poetry, including A Perfect Mirror (Pavilion, 2018) and the verse novel And She Was (Pavilion, 2015). Her work has been shortlisted for the T.S. Eliot and Forward poetry prizes. In 2022 she directed the Sylvia Plath Literary Festival and co-edited After Sylvia: Poems and Essays in celebration of Sylvia Plath (Nine Arches Press, 2022).

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