Islamic Conversion and Christian Resistance on the Early Modern Stage
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A01=Jane Hwang Degenhardt
Art History
Author_Jane Hwang Degenhardt
Category=DSB
Category=DSG
Category=QRP
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
History of Race
Reformation
Religious History
Renaissance Literature
Theatre History
Product details
- ISBN 9780748640843
- Weight: 405g
- Dimensions: 156 x 234mm
- Publication Date: 19 Aug 2010
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Hardback
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This book explores the threat of Christian conversion to Islam in twelve early modern English plays. In works by Shakespeare, Marlowe, Massinger, and others, conversion from Christianity to Islam is represented as both tragic and erotic, as a fate worse than death and as a sexual seduction. Degenhardt examines the stage's treatment of this intercourse of faiths to reveal connections between sexuality, race, and confessional identity in early modern English drama and culture. In addition, she shows how England's encounter with Islam reanimated post-Reformation debates about the embodiment of Christian faith. As Degenhardt compellingly demonstrates, the erotics of conversion added fuel to the fires of controversies over Pauline universalism, Christian martyrdom, the efficacy of relics and rituals, and even the Knights of Malta.
Jane Hwang Degenhardt is Associate Professor of English at the University of Massachusetts, Amherst. She is the co-editor (with Elizabeth Williamson) of Religion and Drama in Early Modern England.
