Isn't it Ironic?

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banter
Bitingly ironic commentaries
Black Metal
Black Metal Bands
Black Metal Fans
Black Metal Scene
Black Mirror
Brexit Britain
British Meme Culture
Captain America
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Category=JBCC1
Category=JBCT2
Category=JHB
Cultural climate
cultural semiotics
cultural studies
decoding satirical media texts
Discursive Political Practices
Dylan's Work
Dylan’s Work
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eq_biography-true-stories
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eq_isMigrated=2
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eq_non-fiction
eq_society-politics
External Participation
film
Fractious communications
Funny People
Improv Performers
irony
James Bond
literary studies
Llywelyn Ap Gruffudd
Marvel Cinematic Universe
meaning
media irony studies
media studies
Meme Set
metamodernism in media
music
offence
Perilous linguistic exchanges
political populism critique
popular culture
popular music sociology
Postmodern Irony
Practical Identity
Rolling Thunder Revue
satire
satirical discourse analysis
Seth Rogen
social issues
social science
sociology
television
television studies
Tony Stark
truth
Van Den Akker
Violating
Young Men

Product details

  • ISBN 9780367530839
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume addresses the relationship between irony and popular culture and the role of the consumer in determining and disseminating meaning. Arguing that in a cultural climate largely characterised by fractious communications and perilous linguistic exchanges, the very role of irony in popular culture needs to come under greater scrutiny, it focuses on the many uses, abuses, and misunderstandings of irony in contemporary popular culture, and explores the troubling political populism at the heart of many supposedly satirical and (apparently) non-satirical texts. In an environment in which irony is frequently claimed as a defence for material and behaviour judged controversial, how do we, as a society entrenched in forms of popular culture and media, interpret work that is intended as satire but which reads as unironic? How do we accurately decode works of popular film, literature, television, music, and other cultural forms which sell themselves as bitingly ironic commentaries on current society, but which are also problematic celebrations of the very issues they purport to critique? And what happens when texts intended and received in one manner are themselves ironically recontextualised in another? Bringing together studies across a range of cultural texts including popular music, film and television, Isn’t it Ironic? will appeal to scholars of the social sciences and humanities with interests in cultural studies, media studies, popular culture, literary studies and sociology.

Ian Kinane is Senior Lecturer in English Literature at the University of Roehampton, UK. He is the author of Ian Fleming and the Politics of Ambivalence and Theorising Literary Islands, the editor of Didactics and the Modern Robinsonade, and the co-editor of Landscapes of Liminality: Between Space and Place.