Italian Painting in the Age of Unification

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A01=Laura L. Watts
Accademia di San Luca
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art historical discourse
Art Historical Narrative
Artemesia Gentileschi
artists
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Brera Academy
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Christ Child
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Ferdinand III
Ferdinand IV
Foundling Wheel
Francesco Hayez
French tradition
Galleria Nazionale
Gioacchino Toma
Inchoate Narrative
Italian painting
Italy
La Pittura
Language_English
liberation
Lombardi Alla Prima Crociata
Lucy Riall
Milan
Naples
Napoleon III
Napoleonic
National Academy
nationalism in visual arts
Neo-Guelphism
nineteenth century
Nineteenth Century European Art
nineteenth-century Italy
occupying forces
ottocento
Ottocento painting
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painting
Pius IX
political context Italian artists
Political unification
politics
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regional
regional art movements
religion
religious symbolism painting
revolutionary
risorgimento
Risorgimento art
Rome
Sicilian Vespers
softlaunch
Tommaso Minardi
Young Men

Product details

  • ISBN 9780367637422
  • Weight: 540g
  • Dimensions: 174 x 246mm
  • Publication Date: 28 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists—Tommaso Minardi, Francesco Hayez, and Gioacchino Toma—from three distinct regions in Italy prior to, during, and directly following political unification in 1861.

Each artist, working in Rome, Milan, and Naples, respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious, or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better-known French tradition.

The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies.

Laura L. Watts is Associate Professor of Art History at Daemen College, Amherst, New York.

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