Iteration

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Bernhard Pankok between Media and Material
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Comparative Architecture
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design methodology
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Exposition Des Art
final artefact
Firm's Ceo
Firm’s Ceo
Glass Plate Negatives
Hand Craft
historiographical analysis
In and Out of View: Reflections on The Vessel
international team
iteration
Iteration of the Non-iterative: The Case of Laszlo Moholy-Nagy's Photograms
Iteration of the Non-iterative: The Case of László Moholy-Nagy’s Photograms
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iterative processes in creative practice
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Kew Herbarium
King George III
Lucia Moholy
Making Objects
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material culture studies
media theory
Michael Gnehm
Mike Ricketts
Moholy Nagy's Photograms
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Moholy Nagy’s Work
Molly Warnock
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Notre Dame De Paris
object reproduction
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palimpsest in art
Peter H. Fox
Peter Sealy
Philosophia Botanica
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Progress of Architecture: Gottfried Semper’s Orientalism
Relative Temporalities
Salted Paper Print
Simon Hantai Abandons Painting
Sonia Delaunay
Sonia Delaunay Terk
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visual culture research
Zeynep Celik Alexander

Product details

  • ISBN 9781138392489
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This edited volume considers the ways in which multiple stages, phases, or periods in an artistic or design process have served to arrive at the final artifact, with a focus on the meaning and use of the iteration. To contextualize iteration within artistic and architectural production, this collection of essays presents a range of close studies in art, architectural and design history, using archival and historiographical research, media theory, photography, material studies, and critical theory. It examines objects as unique yet mutable works by examining their antecedents, successive exemplars, and their afterlives—and thus their role as organizers or repositories of meaning. Key are the roles of writing, the use of media, and relationships between object, image, and reproduction. This volume asks how a closer look at iteration reveals new perspectives into the production of objects and the production of thought alike.

Written by an international team of contributors, offering a range of perspectives, it looks broadly at meaning and insight offered by the iteration—for processes of design, for historical research, and for the reception of creative works.

Robin Schuldenfrei is Katja and Nicolai Tangen Senior Lecturer in 20th Century Modernism at The Courtauld Institute of Art, University of London. She has written widely on modernism as it intersects with theories of the object, architecture and interiors. Her publications include Luxury and Modernism: Architecture and the Object in Germany 1900-1933 (Princeton University Press, 2018) as well as numerous articles, essays and the two edited volumes: Atomic Dwelling: Anxiety, Domesticity, and Postwar Architecture (2012) and, co-edited with Jeffrey Saletnik, Bauhaus Construct: Fashioning Identity, Discourse, and Modernism (2009).