It's Important I Remember

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2016 election
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Abraham Lincoln
action
American citizenship
American politics
American president
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Barack Obama
Beyonce
Bill Clinton
Black
black Americans
Blackness
bodies
body
capitalism
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Cave Canem
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citizenship
class inequality
community
contemporary American poetry
COVID
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Danez Smith
death
Donald Trump
election
Ella Baker
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Evie Shockley
Fannie Lou Hamer
fascism
fear
fidelity
francine j. harris
Fred Hampton
Frederick Douglass
grief
Halle Barry
Harriet Tubman
Harry Truman
history
iconography
illness
inauguration
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January 6
Jay-Z
Jericho Brown
Kanye
legacy
literacy
love
Lyndon B. Johnson
Malcolm X
Martin Luther King Jr.
morality
New York
Nina Simone
Orange Is the New Black
Patricia Smith
Poetry
police
political poems
political poetry
political writing
politics
president
President of the United States
presidential election
race
racial inequality
racism
religion
resistance
Rosa Parks
Ross Gay
slavery
Sojourner Truth
state
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systemic racism
Terrance Hayes
Thomas Jefferson
Toni Morrison
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United States Capitol attack
US constitution
US president
violence
voting
voting rights
war
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White House

Product details

  • ISBN 9780810149649
  • Weight: 454g
  • Dimensions: 178 x 254mm
  • Publication Date: 15 Feb 2026
  • Publisher: Northwestern University Press
  • Publication City/Country: US
  • Product Form: Hardback
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An incantation of strength and solace for persisting in twenty-first-century America

“History doesn’t repeat, it rhymes.” In his sweeping third collection, Charleston brings a poet’s ear for echo and rhythm to bear on American history and life after 2016. For Charleston, these rhymes cut two ways: the long tradition of American racism and fascism, and the steady pulse of Black persistence. The collection’s titular invocation frames each poem, at times an oratory to rally a crowd, in other moments a private prayer whispered as the speaker gathers himself to face another day. Charleston insists that should we cede memory of our national biography—whether to repression or indifference—we will witness the country’s dissolution into something unrecognizable to most, yet all too familiar to its most marginalized people. But with each reiteration and riff, he also invokes a tenuous hope—that if we summon an American history of Black resistance, we might still make a more perfect union.
Cortney Lamar Charleston is a Pushcart Prize–winning poet and the author of Telepathologies and Doppelgangbanger. He has been awarded a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation as well as fellowships from Cave Canem and the New Jersey State Council on the Arts.

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