J. Arthur Rank and the British Film Industry

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A01=Geoffrey Macnab
archival film scholarship
Arthur Rank
Author_Geoffrey Macnab
Betty Box
British cinema industrial transformation
British Film
British Film Culture
British Film History
British Film Industry
British Film Production
Category=ATF
Category=DNBB
Category=KNTC
Category=NHTB
Charm School
cultural production studies
distributors
Entertainment Duty
Entertainment Tax
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film policy analysis
filmmakers
Gabriel Pascal
general
GFD
Independent Frame
kinematograph
Kinematograph Weekly
media industry research
Midas Touch
Mr Rank
organization
Penguin Film Review
pinewood
Pinewood Studios
postwar cinema economics
producers
Rank Organization
Rank Xerox
skouras
spyros
Spyros Skouras
studio system history
Superb
UK Film
United Artists
weekly

Product details

  • ISBN 9780415072724
  • Weight: 816g
  • Dimensions: 156 x 234mm
  • Publication Date: 22 Apr 1993
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Presiding over the "golden era" of the British Film Industry from the mid to late 1940s, J. Arthur Rank financed movies such as Oliver Twist, The Red Shoes, Brief Encounter, Caesar and Cleopatra and Black Narcissus. Never before, and never since, has the industry risen to such heights.
J. Arthur Rank charts every aspect of the robust film culture that Rank helped to create. Having started out with relatively little knowledge of the cinema, Rank's sponsorship was to bring about astounding progress within the industry, and by establishing an organization comparable in size to any of the major Hollywood studios, Rank briefly managed to reconcile and consolidate the competing demands of "art" and "business" - an achievement very much absent from today's diminished and fragmented film industry.
Macnab goes on to explain the eventual collapse of the Rank experiment amidst the economic and political maelstrom of post-war Britain, highlighting the problems still facing the industry today. By meshing archival research with interviews with Rank's contemporaries and members of his family, this definitive study firmly restores Rank to his rightful place at the hub of British film history.

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