James Ensor and the Graphic Experiment

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A01=Ad Stijnman
A01=Herwig Todts
A01=Willemijn Stammis
Age Group_Uncategorized
Age Group_Uncategorized
Author_Ad Stijnman
Author_Herwig Todts
Author_Willemijn Stammis
automatic-update
Category1=Non-Fiction
Category=AGB
Category=AGC
COP=Belgium
Delivery_Pre-order
Drawings
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Etching
Expressionist
Figures
Language_English
Macabre
Masks
ModernArt
PA=Not yet available
Price_€20 to €50
PS=Active
softlaunch
Surrealism
Symbolism

Product details

  • ISBN 9789464941425
  • Weight: 898g
  • Dimensions: 230 x 280mm
  • Publication Date: 16 Oct 2024
  • Publisher: Hannibal Books
  • Publication City/Country: BE
  • Product Form: Hardback
  • Language: English
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James Ensor (1860–1949) was a Belgian painter known for his provocative and innovative works, often featuring masks and grotesque figures. Through mediums like etching and lithography, Ensor delved into themes of existential exploration and the macabre. His graphic oeuvre showcases his mastery of line and form, inviting us into a realm where masks, skeletons, and surreal landscapes converge to challenge conventions and provoke thought. But how did Ensor make prints? What techniques did he use? Which old masters inspired him and in what way did he experiment with this medium? James Ensor and the Graphic Experiment gathers the most remarkable results of Ensor's graphic experiments: preparatory drawings, copper plates and various states of prints.

Image © Museum Plantin-Moretus, Antwerp

Willemijn Stammis is curator of modern and contemporary prints and drawings at Museum Plantin-Moretus. Ad Stijnman is a professional printmaker and an independent scholar of historical printmaking processes, specialising in manual intaglio printmaking techniques. Herwig Todts is an art historian and senior curator of modern art at the Royal Museum of Fine Arts Antwerp.

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