James McNeill Whistler and France

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A01=Suzanne Singletary
art history
artistic influence analysis
Author_Suzanne Singletary
avant garde
avant-garde networks
Berthe Morisot
Bridgeman Images
Category=AFC
Category=AGA
Category=AGB
Category=AVA
Courbet
Courbet's Studio
Courbet’s Studio
Dutch Art
Edouard Manet
En Plein Air
eq_art-fashion-photography
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eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
France
French modernism
Gazette Des Beaux Arts
Gustave Courbet
interdisciplinary aesthetics
Invitation Au Voyage
Jean Martin Charcot
Le Cygne
Les Fleurs Du Mal
modern art
modernism
Monet's Art
Monet’s Art
music
nineteenth century
nineteenth-century art
Painter's Studio
Painter’s Studio
painting
Peacock Room
Pierre Auguste Renoir
poetry
Suzanne Manet
Symbolism
Symbolist movement
Terra Cotta
Vice Versa
Victorine Meurent
Whistler
Whistler Manet Symbolist connections
Whistler's Paintings
Whistler's Studio
Whistler’s Paintings
Whistler’s Studio
Wooden Bridge
Young Man

Product details

  • ISBN 9781472442000
  • Weight: 748g
  • Dimensions: 174 x 246mm
  • Publication Date: 25 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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James McNeill Whistler and France: A Dialogue in Paint, Poetry, and Music is the first full-length and in-depth study to position this painter within the overall trajectory of French modernism during the second half of the nineteenth century and to view the artist as integral to the aesthetic projects of its most original contributors. Suzanne M. Singletary maintains that Whistler was in a unique situation as an insider within the emerging French avant-garde, thereby in an enviable position to both absorb and transform the innovations of others – and that until now, his widespread influence as a catalyst among his colleagues has been neither investigated nor appreciated.

Singletary contends that Whistler’s importance rivals that of Manet, whose multi-layered (and often unexpected) interconnections with Whistler are the focus of one chapter. In addition, Whistler’s pivotal role in linking the legacies of Baudelaire, Delacroix, Gautier, Wagner, and other mid-century innovators to the later French Symbolists has previously been largely ignored. Courbet, Degas, Monet, and Seurat complete the roster of French artists whose dialogue with Whistler is highlighted.

Suzanne M. Singletary is Associate Professor of Art and Architectural History at Philadelphia University. She has published on Eugène Delacroix, French Symbolism, and Francesco Goya, and contributed essays to Impressionist Interiors (2008), Perspectives on Manet (2012) and Rival Sisters (2014).

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