James Merrill

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biology
Blakean Innocence
Body's Language
Body’s Language
Category=DC
Category=DS
Category=DSBH
Category=DSC
changing
Connecticut River
cosmology in literature
David Kalstone
Elgin Marbles
environmental humanities
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eq_biography-true-stories
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eq_non-fiction
eq_poetry
Final Light
Gemlike Flame
god
God Biology
Guilty Knowledge
innocence in modern poetry
La Gioconda
light
literary theory
Merrill's Poem
Merrill's Poetry
Merrill's Work
merrills
Merrill’s Poem
Merrill’s Poetry
Merrill’s Work
Michael's Text
Michael’s Text
Nature's Innocence
Nature’s Innocence
Orange Blossoms
Original Vacancy
Orpheus Myth
Ouija Board
Penultimate Stanza
poem
Poem's Form
Poem’s Form
poetic agency
Promethean Theft
queer studies
sandover
time
turn
twentieth-century poetry
Winged Horse
Young Man

Product details

  • ISBN 9781138992757
  • Weight: 480g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Apr 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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James Merrill: Knowing Innocence reevaluates the achievement of this important poet by showing how he takes up an old paradigm – innocence – and reinvents it in response to new historical, scientific, and cultural developments including the bomb, contemporary cosmology, and the question of agency. The book covers Merrill’s full career, emphasizing the late poetry, on which there remains little commentary. Illuminating both Merrill’s relation to a tradition of literary innocence from Milton to Blake and Wordsworth to Emerson and Stevens, and his relevance to contemporary cultural debates, the rubric of "knowing innocence" helps us to understand his achievement. Merrill undertakes a career-long effort to know innocence, and develops a thematic and stylistic attitude that is both innocent and knowing, combining attitudes of wonder and hope with reflexive wit, intellectual breadth, and an unflinching gaze at mortality. He ultimately imagines innocence as creative agency, a capacity for imagination, invention, and ethical responsibility. The book demonstrates how, addressing questions of sexual identity, childhood and memory; atomic science, the big bang, and black holes; environmental degradation; AIDS; and the notion of the death of history – while honoring poetry’s essential qualities of freedom and play – his poems perform cultural work crucial to his time and ours.

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