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James Thomson's The Seasons, Print Culture, and Visual Interpretation, 1730–1842
James Thomson's The Seasons, Print Culture, and Visual Interpretation, 1730–1842
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A01=Sandro Jung
Age Group_Uncategorized
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Author_Sandro Jung
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Category1=Non-Fiction
Category=AFH
Category=DSBD
Category=DSC
COP=United States
Delivery_Delivery within 10-20 working days
Eighteenth-Century Studies
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
Literary Studies
PA=Available
Poetry
Price_€20 to €50
Print Culture
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softlaunch
Product details
- ISBN 9781611463194
- Weight: 499g
- Dimensions: 153 x 230mm
- Publication Date: 07 May 2021
- Publisher: Associated University Presses
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Drawing on the methods of textual and reception studies, book history, print culture research, and visual culture, this interdisciplinary study of James Thomson’s The Seasons (1730) understands the text as marketable commodity and symbolic capital which throughout its extended affective presence in the marketplace for printed literary editions shaped reading habits. At the same time, through the addition of paratexts such as memoirs of Thomson, notes, and illustrations, it was recast by changing readerships, consumer fashions, and ideologies of culture. The book investigates the poem’s cultural afterlife by charting the prominent place it occupied in the visual cultures of eighteenth- and early nineteenth-century Britain. While the emphasis of the chapters is on printed visual culture in the form of book illustrations, the book also features discussions of paintings and other visual media such as furniture prints. Reading illustrations of iconographic moments from The Seasons as paratextual, interpretive commentaries that reflect multifarious reading practices as well as mentalities, the chapters contextualise the editions in light of their production and interpretive inscription. They introduce these editions’ publishers and designers who conceived visual translations of the text, as well as the engravers who rendered these designs in the form of the engraving plate from which the illustration could then be printed. Where relevant, the chapters introduce non-British illustrated editions to demonstrate in which ways foreign booksellers were conscious of British editions of The Seasons and negotiated their illustrative models in the sets of engraved plates they commissioned for their volumes.
Sandro Jung is distinguished professor of English and comparative literature at the Shanghai University of Finance and Economics.
James Thomson's The Seasons, Print Culture, and Visual Interpretation, 1730–1842
€47.99
