Jan Bontjes van Beek

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20th-century German history
20thCentury
art and German history
art and history
Category=AFP
ceramic art
ceramic art monograph
ceramic artists
ceramic mastery
CeramicistsCeramicArts
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German artists
German ceramic art
German sculptors
German sculpture
GermanCeramicist
GermanSculptor
modern ceramics
ModernCeramics
Pioneer
pottery
studio ceramists
studio pottery
Worpswede artist's colony

Product details

  • ISBN 9783897907522
  • Weight: 280g
  • Dimensions: 170 x 245mm
  • Publication Date: 06 Feb 2026
  • Publisher: Arnoldsche
  • Publication City/Country: DE
  • Product Form: Paperback
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The moving life of Jan Bontjes van Beek (1899–1969) is closely associated with 20th-century German history. A “strikingly blonde sailor who could dance and play the violin,” he joined the Worpswede artist’s colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR’s Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself.

Text in English and German.

Dr. Nele van Wieringen is head of the museum: Keramikmuseum Westerwald German Collection of Historical and Contemporary Ceramics near Koblenz.