Jane Austen's Sanditon

Regular price €16.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Jane Austen
A18=Janet Todd
Age Group_Uncategorized
Age Group_Uncategorized
Andrew Davies
Austen black characters
Austen comedy
Austen illustrated
Austen last novel
Author_Jane Austen
automatic-update
Category1=Non-Fiction
Category=DSBF
Category=DSK
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Jane Austen
Language_English
PA=Available
Price_€10 to €20
PS=Active
Regency
Sanditon
Sanditon PBS Masterpiece
seaside
softlaunch

Product details

  • ISBN 9781909572218
  • Publication Date: 21 Jun 2019
  • Publisher: Fentum Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
Sanditon is Jane Austen’s last novel, unfinished when she died in 1817. A comedy, it continues the strain of burlesque and caricature she wrote as a teenager and in private throughout her life. In her ground-breaking essay, Todd contextualizes Austen’s life and work, Sanditon’s connection with Northanger Abbey (1819) and Emma (1816), Jane Austen’s insecurity of income and home, and the Austen family’s financial speculations. She examines the work’s discussion of the moral and social problems of capitalism, entrepreneurship, and growing tourism, and their effect on traditional values and rural communities. Todd explains the early nineteenth-century culture of self: the exploitation of hypochondria, health fads, seaside resorts, and miracle cures. Arguing that Sanditon is an innovative, ebullient study of human beings ’ vagaries (rather than using common sense, Sanditon’s characters follow intuition and bodily signs), she shows Austen’s themes to be akin to contemporary concerns about self-obsession and the culture of narcissism, as well as a comic study of the gap between how we think of ourselves and how we appear and sound to others.

More from this author