Japanese and Hong Kong Film Industries

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A01=Shuk-ting
A01=Yau Shuk-ting
artists
Author_Shuk-ting
Author_Yau Shuk-ting
Bewitching Love
brothers
Bu Wancang
cai
Cai Chusheng
Category=JBCT
Category=KNTC
Chang Cheh
Cheng Bugao
chusheng
cinemas
East Asian cinema history
East Asian film industry networks
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film industry collaboration
Forbidden City
Greater East Asia
historical film research
Hunter's Diary
Hunter’s Diary
Japanese Cinema
Japanese Filmmakers
Japanese Movies
Kinnia
Kinnia Yau
Li Lihua
Li Xianglan
Madame White Snake
Martial Arts Films
movies
Ouyang Yuqian
Princess Iron Fan
shanghai
Shanghai Cinema
shaw
Shaw Brothers
shi
Shi Dongshan
Sino-Japanese relations
Sugata Sanshiro
transnational film studies
Unifying National Language
Wang Regime
wartime cultural exchange
xianglan
Zhang Shichuan
Zhu Shilin

Product details

  • ISBN 9780415498081
  • Weight: 690g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jul 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Drawing on first-hand materials collected from the Chinese and Japanese literature as well as interviews with more than twenty filmmakers and scholars Kinnia Shuk-ting Yau provides a solid historical account of the complex interactions between Japanese and Hong Kong film industries from the 1930s to 1970s.

The author describes in detail how Japan’s efforts during the 1930s and 1940s to produce a "Greater East Asian cinema" led to many different kinds of collaborations between the filmmakers from China, Hong Kong and Japan, and how such development had laid the foundation for more exchanges between the cinemas in the post-war period. The period covered by the book is the least understood period of the East Asian film history. Filling the gaps surrounding one of the most important but least understood periods of Asian film history this books discusses facts and resources once obscured by controversial issues related to wartime affairs with new insights and perspectives.

This book is an invaluable source of information for understanding how the current East Asian film networks came into existence by looking beyond conventional single-case studies and adopting a transnational perspective in tracing the connections between different film industries.

Dr. YAU Shuk-ting, Kinnia is Associate Professor at the Department of Japanese Studies, The Chinese University of Hong Kong.

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