Japanese Cinema and Otherness

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A01=Mika Ko
Author_Mika Ko
boom
Category=ATF
Category=GTM
Category=JBCC1
Category=JBCT
Category=JBSL
Category=JHB
Category=JHMC
Category=NH
Comfort Women
contemporary
Contemporary Japanese
Contemporary Japanese Cinema
Contemporary Japanese Nationalism
cosmetic
Cosmetic Multiculturalism
cultural identity politics
cultures
emperor
Emperor System
Emperor's Gaze
Emperor’s Gaze
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnic minority narratives
film representation studies
Japanese Cinema
Kokutai Ideology
Korean Ethnic School
Korean Identity
Magical Realist Approach
Main Character
mainland
Mainland Japan
minority representation in Japanese film
multiculturalism
nationalism
okinawa
Okinawa Boom
Okinawan Identity
Okinawan identity in film
Okinawan Language
Okinawan People
Okinawan Subjectivity
okinawas
Swallowtail Butterfly
visual discourse analysis
Young Man
Young Zainichi
Zainichi Communities
Zainichi Identity
Zainichi Korean studies
Zainichi Population

Product details

  • ISBN 9780415493017
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Dec 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Over the last 20 years, ethnic minority groups have been increasingly featured in Japanese Films. However, the way these groups are presented has not been a subject of investigation. This study examines the representation of so-called Others – foreigners, ethnic minorities, and Okinawans – in Japanese cinema. By combining textual and contextual analysis, this book analyses the narrative and visual style of films of contemporary Japanese cinema in relation to their social and historical context of production and reception.

Mika Ko considers the ways in which ‘multicultural’ sentiments have emerged in contemporary Japanese cinema. In this respect, Japanese films may be seen not simply to have ‘reflected’ more general trends within Japanese society but to have played an active role in constructing and communicating different versions of multiculturalism. In particular, the book is concerned with how representations of ‘otherness’ in contemporary Japanese cinema may be identified as reinforcing or subverting dominant discourses of ‘Japaneseness’. the author book also illuminates the ways in which Japanese films have engaged in the dramatisation and elaboration of ideas and attitudes surrounding contemporary Japanese nationalism and multiculturalism.

By locating contemporary Japanese cinema in a social and political context, Japanese Cinema and Otherness makes an original contribution to scholarship on Japanese film study but also to bridging the gap between Japanese studies and film studies.

Mika Ko is a lecturer at the School of East-Asian Studies, University of Sheffield in England. Her research interests are in Japanese cinema and East-Asian cinema more generally.

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