Japanese Horror Films and their American Remakes

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A01=Valerie Wee
adaptation theory
American Horror Films
American Remake
Asian Horror Films
Author_Valerie Wee
Category=ATF
Category=ATFN
Category=GTM
Category=JBCT
Category=NH
Chakushin Ari
cinema
Cinematic Horror
cross-cultural horror film analysis
cultural representation
culture
Deadly Curse
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Familial Dysfunction
female
Female Ghosts
gender and family dynamics
ghost
hollywood
Hollywood Horror Films
Hollywood Remakes
Horror Films
Horror Movies
Japanese Cinema
Japanese Horror
Japanese Horror Films
kaidan
Male Ghost
media studies research
Monstrous Feminine
popular
Postmodern Horror
Postmodern Horror Film
supernatural
Supernatural Horror Film
supernatural narratives
tokaido
Tokaido Yotsuya Kaidan
Traditional Japanese Aesthetics
transnational cinema
Vengeful Female Ghosts
Webcam Images
yotsuya
Young Men

Product details

  • ISBN 9781138653870
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 29 Jan 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Ring (2002)—Hollywood’s remake of the Japanese cult success Ringu (1998)—marked the beginning of a significant trend in the late 1990s and early 2000s of American adaptations of Asian horror films. This book explores this complex process of adaptation, paying particular attention to the various transformations that occur when texts cross cultural boundaries. Through close readings of a range of Japanese horror films and their Hollywood remakes, this study addresses the social, cultural, aesthetic and generic features of each national cinema’s approach to and representation of horror, within the subgenre of the ghost story, tracing convergences and divergences in the films’ narrative trajectories, aesthetic style, thematic focus and ideological content. In comparing contemporary Japanese horror films with their American adaptations, this book advances existing studies of both the Japanese and American cinematic traditions, by:

  • illustrating the ways in which each tradition responds to developments in its social, cultural and ideological milieu; and,
  • examining Japanese horror films and their American remakes through a lens that highlights cross-cultural exchange and bilateral influence.

The book will be of interest to scholars of film, media, and cultural studies.

Associate Professor Valerie Wee teaches film and media studies in the Department of English Language and Literature at the National University of Singapore.

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