Japanese Political Theatre in the 18th Century

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18th century Japanese stage politics
18th century Japanese's political theatre
A01=Akihiro Odanaka
A01=Masami Iwai
Arai Hakuseki
Asian Theatre
Author_Akihiro Odanaka
Author_Masami Iwai
Bunraku
bunraku puppet theatre
Category=ATD
Category=JB
chanter-shamisen coordination
Chikamatsu Monzaemon
Chikamatsu's Play
Chikamatsu’s Play
cultural translation theatre
Edo period drama
Emperor Antoku
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Feudal Lords
Fox Mother
Hayashi Shihei
Itinerant Performers
Japanese dramaturgy
Japanese theatre
Kabuki Play
Kamakura Shogunate
Kofukuji Temple
Kyoho reforms
Lord Chamberlains
Love Suicides
Loyal Retainers
Mimetic Words
Mount Miwa
Osaka Bay
Osaka Castle
Pleasure Quarter
puppet performance studies
Puppetry
Soga Brothers
Takeda Izumo
Takeda Izumo I and II
The Battle of Coxinga
the Double Suicides
theatre political expression
Thousand Cherry Trees
Travel Game
Vice Versa
War Chronicles
Young Man

Product details

  • ISBN 9780367150624
  • Weight: 620g
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Jul 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Bunraku has fascinated theatre practitioners through its particular forms of staging, such as highly elaborated manipulation of puppets and exquisite coordination of chanters and shamisen players. However, Bunraku lacks scholarship dedicated to translating not only the language but also cultural barriers of this work.

In this book, Odanaka and Iwai tackle the wealth of bunraku plays underrepresented in English through rexamining their siginifcance on a global scale. Little is written on the fact that bunraku theatre, despites its elegant figures of puppets and exotic stories, was often made as a place to manifest the political concerns of playwrights in the 18th century, hence a reflection of the audience's expectation that could not have materialized outside the theatre.

Japanese Political Theatre in the 18th Century aims to make bunraku texts readable for those who are interested in the political and cultural implications of this revered theatre tradition.

Akihiro Odanaka is Professor of Cultural Resources at the Graduate School of Literature and Human Sciences of Osaka City University, Japan. His research covers a wide range of research fields, such as modern French theatre, the history of Western theatre, comparative theatre between Western and Japanese works, and the study of culture and representation. He is the author of the award-winning book The Layers of Modern Theatre (Gendai engeki no chisō), which was awarded the 43rd Kawatake prize from the Japanese Society for Theatre Research.

Masami Iwai has been Professor in the Faculty of Foreign Studies, Meijo University (Nagoya City), Japan, since 2016. He specializes is a historiography of Japanese traditional theatre from the 17th to the 20th centuries concerning kabuki, bunraku, and other performing arts. Besides his encyclopedic knowledge of Japanese theatre, he has been interested in contemporary British theatre and has translated three plays by Patrick Marber into Japanese: Dealer's Choice, Closer, and Howard Katz. Since 2010, he has been working on a joint research project with Dr. Odanaka.

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