Jean-Jacques Lebel and French Happenings of the 1960s

Regular price €112.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Laurel Jean Fredrickson
Author_Laurel Jean Fredrickson
Category=AFKP
Category=AGA
Category=AGHX
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction

Product details

  • ISBN 9781501332319
  • Weight: 494g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Mar 2021
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Combining a broad overview of Jean-Jacques Lebel’s coming-of-age among Surrealists and his rupture with the movement, Laurel Jean Fredrickson focuses on two landmark happenings in this book: the first, “Funeral of the Thing of Tinguely” (1960), and the most scandalous, “120 Minutes dedicated to the Divine Marquis” (1966). This study illustrates the development and significance of French happenings in relation to cultural and political changes of the 1960s.

Research in Lebel’s archives, and others like the Archives nationale d’outre-mer are indispensable in the telling of this extraordinary historical and theoretical narrative. It illuminates sensitive, often veiled dimensions of postwar French society, from torture during the Algerian War, to government censorship, to the sexual politics of nudity in art. This volume shows how Lebel synthesized the lessons of Dada and surrealism and 1960s experimentalism, electrified by political radicalism, to participate in shaping the erotics and forms of revolution in May 1968.

Laurel Jean Fredrickson is Assistant Professor of Art History at Southern Illinois University, USA. Her research explores the intersections of experimental art and politics in and since the 1960s, happenings and Fluxus, and transnational women artists from former French colonies and protectorates. She earned a PhD in Art History from Duke University, an MA in Art History from the University of Illinois at Chicago, an MFA from the School of the Art Institute of Chicago, and a BFA from Washington University in St. Louis, USA. Prior to studying art history, she practiced as an artist, exhibiting nationally and internationally, and taught studio art courses at the School of the Art Institute of Chicago, and Columbia College in Chicago.

More from this author