Jean Toomer

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A01=Barbara Foley
African American
Age Group_Uncategorized
Age Group_Uncategorized
Author_Barbara Foley
autobiography
automatic-update
biographies of Jean Toomer
biography
black
Cane
Category1=Non-Fiction
Category=DSBH
Category=DSK
class struggle
classic African American novels
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Georgia
Harlem Renaissance
Harlem Renaissance novels
Harvest Song
Jean Toomer
Jim Crow
Language_English
Marxism
mixed race
modernism
New Negro
novel
novelist
PA=Available
poem
poetry
political repression after World War One
post-World War One American novels
Price_€20 to €50
PS=Active
radical African American novels
radical American novels
radicalism
repression
Sherwood Anderson
socialism
softlaunch
studies of Jean Toomer
Waldo Frank
Young America

Product details

  • ISBN 9780252084799
  • Weight: 513g
  • Dimensions: 156 x 235mm
  • Publication Date: 16 Jul 2014
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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The 1923 publication of Cane established Jean Toomer as a modernist master and one of the key literary figures of the emerging Harlem Renaissance. Though critics and biographers alike have praised his artistic experimentation and unflinching eyewitness portraits of Jim Crow violence, few seem to recognize how much Toomer's interest in class struggle, catalyzed by the Russian Revolution and the post–World War One radical upsurge, situate his masterwork in its immediate historical context. In Jean Toomer: Race, Repression, and Revolution, Barbara Foley explores Toomer's political and intellectual connections with socialism, the New Negro movement, and the project of Young America. Examining his rarely scrutinized early creative and journalistic writings, as well as unpublished versions of his autobiography, she recreates the complex and contradictory consciousness that produced Cane. Foley's discussion of political repression runs parallel with a portrait of repression on a personal level. Examining family secrets heretofore unexplored in Toomer scholarship, she traces their sporadic surfacing in Cane. Toomer's text, she argues, exhibits a political unconscious that is at once public and private.

Barbara Foley is a professor of English at Rutgers University-Newark. She is the author of Spectres of 1919: Class and Nation in the Making of the New Negro.

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