Jeff Wall and the Concept of the Picture

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A01=Naomi Merritt
Art photography
art theory analysis
Author_Naomi Merritt
Category=AB
Category=AJ
Contemporary Art Photography
contemporary visual culture
critical frameworks in photography
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Georges Braque
Hokusai
Home Town
Jeff Wall
Jeff Wall's artistic project
Kai Province
Katsushika Hokusai
Las Meninas
Late Career Work
Linear Perspective
Manet's Bar
Manet's Painting
Manet’s Bar
Manet’s Painting
modern art criticism
Mount Fuji
Muybridge's Motion Studies
Muybridge’s Motion Studies
Nineteenth Century Visual Culture
Paul Gauguin
performative image studies
Performative pictures
photographic conceptualism
Photographic Moment
Photojournalism
self-reflexive aesthetics
Suruga Province
University Women's Club
University Women’s Club
Vincent Van Gogh
Wall's Critique
Wall's Interest
Wall's Photographs
Wall's Picture
Wall’s Critique
Wall’s Interest
Wall’s Photographs
Wall’s Picture
Young Men

Product details

  • ISBN 9781350137868
  • Weight: 940g
  • Dimensions: 174 x 246mm
  • Publication Date: 31 Dec 2020
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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This book grapples with fundamental questions about the evolving nature of pictorial representation, and the role photography has played in this ongoing process.

These issues are explored through a close analysis of key themes that underpin the photography practice of Canadian artist Jeff Wall and through examining important works that have defined his oeuvre. Wall’s strategic revival of ‘the picture’ has had a resounding influence on the development of contemporary art photography, by expanding the conceptual and technical frameworks of the medium and introducing a self-reflexive criticality. Naomi Merritt brings a new and original contribution to the scholarship on one of the most significant figures to have shaped the course of contemporary art photography since the 1970s and shines a light on the multilayered connections between photography and art.

This book will be of interest to scholars in the history of photography, art and visual culture, and contemporary art history.

Naomi Merritt is a lecturer in contemporary art, art history, critical theory, gender studies, and visual culture at the University of South Australia.

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