Jet Age Aesthetic
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A01=Vanessa R Schwartz
air travel
architecture
Author_Vanessa R Schwartz
aviation
Category=AB
Category=AGA
Category=AK
Category=JBC
disney archives
disneyland
eero saarinen
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ernst haas
film
irving penn
jet set
media culture
midcentury
photography
photojournalism
richard avedon
saarinen
streamlined
television
transportation
TWA building
Product details
- ISBN 9780300247466
- Dimensions: 178 x 254mm
- Publication Date: 25 Feb 2020
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Hardback
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A stunning look at the profound impact of the jet plane on the mid-century aesthetic, from Disneyland to Life magazine
Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below.
Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.
Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below.
Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.
Vanessa R. Schwartz teaches art history, history, and film at the University of Southern California, where she directs the Visual Studies Research Institute and the Graduate Certificate program.
