Jews and Jazz

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A01=Charles B Hersch
Affinity Narrative
African American Jazz Musicians
African Americans
American Jewish
Author_Charles B Hersch
Black Jazz Musicians
Black Jewish Relations
Black Music
Cantorial Music
Cantorial Singing
Carnegie Hall Concert
Category=AV
Category=AVA
Category=AVLP
Category=JBSR
cross-cultural collaboration
cultural hybridity
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnic identity formation
ethnicity construction through jazz
Gefilte Fish
Irving Berlin
Irving Mills
jazz
Jazz Musicians
jazz studies
Jazz World
Jewish
Jewish Jazz
Jewish Jazz Musicians
Jewish Music
Jewish Songs
Jewish studies
Jews
Judaism
minority integration
music sociology
Norman Granz
racial dynamics in music
Sweet Potato Pie
Tin Pan Alley
Tin Pan Alley Composers
Yiddish Folk Songs
Young Man

Product details

  • ISBN 9781138195790
  • Weight: 294g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Oct 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Jews and Jazz: Improvising Ethnicity explores the meaning of Jewish involvement in the world of American jazz. It focuses on the ways prominent jazz musicians like Stan Getz, Benny Goodman, Artie Shaw, Lee Konitz, Dave Liebman, Michael Brecker, and Red Rodney have engaged with jazz in order to explore and construct ethnic identities.

The author looks at Jewish identity through jazz in the context of the surrounding American culture, believing that American Jews have used jazz to construct three kinds of identities: to become more American, to emphasize their minority outsider status, and to become more Jewish. From the beginning, Jewish musicians have used jazz for all three of these purposes, but the emphasis has shifted over time. In the 1920s and 1930s, when Jews were seen as foreign, Jews used jazz to make a more inclusive America, for themselves and for blacks, establishing their American identity. Beginning in the 1940s, as Jews became more accepted into the mainstream, they used jazz to "re-minoritize" and avoid over-assimilation through identification with African Americans. Finally, starting in the 1960s as ethnic assertion became more predominant in America, Jews have used jazz to explore and advance their identities as Jews in a multicultural society.

Charles Hersch is Professor of Political Science at Cleveland State University. He is also the author of Democratic Artworks: Politics and the Arts from Trilling to Dylan and Subversive Sounds: Race and the Birth of Jazz in New Orleans.

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