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Jews in Business and their Representation in German Literature 1827-1934
Jews in Business and their Representation in German Literature 1827-1934
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1827
A01=John Ward
Author_John Ward
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Category=DSBH
Category=GTM
Category=JB
Category=JHB
Category=KJG
Category=KJZ
Category=NHD
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eq_biography-true-stories
eq_business-finance-law
eq_history
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eq_society-politics
Product details
- ISBN 9783034301268
- Weight: 390g
- Dimensions: 150 x 220mm
- Publication Date: 14 May 2010
- Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
- Publication City/Country: CH
- Product Form: Paperback
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This book gives an account of the literary representation of Jews as businessmen from the early nineteenth century to the onset of the Third Reich. The historical context provides the background for an examination of the literary representation of Jewish businessmen and presents evidence for the perpetuation, transformation, and combination of stereotypes.
The double bind of assimilation – that the Jews were vilified whether they succeeded or failed – is illustrated from literary treatments by the Romantic writer Wilhelm Hauff and the early twentieth-century writers Lion Feuchtwanger and Paul Kornfeld of the historical figure of ‘Jud Süß Oppenheimer’. Gustav Freytag’s use of the Jews as ‘counter-ideals’ in his notorious bestseller Soll und Haben (1855) and the onset of racial anti-Semitism in Wihelm von Polenz’s Der Büttnerbauer (1895) are illustrative of how literary anti-Semitism hardened in the course of the nineteenth century.
The book considers a number of literary texts, some well known, some less familiar, which are revealing of the way in which Jewish–Gentile relations were imagined in their time.
The double bind of assimilation – that the Jews were vilified whether they succeeded or failed – is illustrated from literary treatments by the Romantic writer Wilhelm Hauff and the early twentieth-century writers Lion Feuchtwanger and Paul Kornfeld of the historical figure of ‘Jud Süß Oppenheimer’. Gustav Freytag’s use of the Jews as ‘counter-ideals’ in his notorious bestseller Soll und Haben (1855) and the onset of racial anti-Semitism in Wihelm von Polenz’s Der Büttnerbauer (1895) are illustrative of how literary anti-Semitism hardened in the course of the nineteenth century.
The book considers a number of literary texts, some well known, some less familiar, which are revealing of the way in which Jewish–Gentile relations were imagined in their time.
The Author: John Ward graduated from University College Dublin in 1984 with a B.A. in German. Having spent many years in Italy, he returned to Ireland and to German studies in 1998 and was awarded a First Class Honours M.A. in German by the National University of Ireland, Maynooth, in 2001 and a Ph.D. in 2009. He has taught language and literature at NUI Maynooth and at the Martin-Luther-Universität in Halle, Germany.
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