Jim Jarmusch

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A01=Juan A. Suarez
American auteurs
American independent film
American independent film movement
American independent filmmakers
American indie film
auteurs
Author_Juan A. Suarez
Broken Flowers
Category=ATFB
Coffee and Cigarettes
Dead Man
documentaries
Down by Law
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimental culture
film analysis
film criticism
Ghost Dog
independent film
independent film movement
independent filmmakers
interview with Jim Jarmusch
Jarmusch and experimental culture
Jarmusch films
Jarmusch ideologies
Jarmusch influences
Jarmusch place in experimental culture
Jarmusch style
Jarmusch techniques
Jarmusch themes
Jim Jarmusch
Lightning over Water
miniimalism
Mystery Train
neo-noir
New York experimental culture
Night on Earth
outsider
Permanent Vacation
road movie
Sara Driver
Stranger than Paradise
timing in Jarmusch

Product details

  • ISBN 9780252074431
  • Weight: 286g
  • Dimensions: 140 x 210mm
  • Publication Date: 13 Aug 2007
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
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The first major English-language study of Jarmusch

At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than ParadiseDown by Law, and Mystery Train. Jarmusch's films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors like Sofia Coppola, Hal Hartley, Richard Linklater, and Tsai Ming-liang. 

Juan A. SuÁrez identifies and describes an abundance of aesthetic influences on Jarmusch, delving into the director's links to punk, Structural film, classic street photography, hip-hop, beat literature and art, and the New York pop vanguard of the late 1970s. At the same time, he analyzes Jarmusch's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics.

A volume in the series Contemporary Film Directors, edited by James R. Naremore

Juan A. SuÁrez is an associate professor of American studies and English at the University of Murcia, Spain. He is the author of Pop Modernism: Noise and the Reinvention of the Everyday and other books.
 

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