Joe Orton

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A01=C.W.E. Bigsby
anarchic farce
anarchic farce in modern theatre
Author_C.W.E. Bigsby
authority in literature
British theatre studies
Category=DSA
Category=DSBH
Category=DSK
English playrights 20th Century
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
Halliwell
language in performance
literary criticism
postmodern drama analysis
subversive comedy
twentieth-century playwriting

Product details

  • ISBN 9781032868257
  • Weight: 140g
  • Dimensions: 138 x 216mm
  • Publication Date: 19 Jan 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Though Orton’s roots lay in traditions as diverse as those represented by such writers as Wycherley, Congreve, Wilde, Shaw, Carroll, Firbank, Feydeau, Beckett and Pinter, he developed a form of ‘anarchic farce’ which was very much his own – hence the word ‘Ortonesque’. His work was deliberately subversive, not merely of the authority figures which he included in nearly all his plays, but of language and the congenialities of plot and character. Originally published in 1982, this study examines Orton’s principal plays, but its main concern is to identify his aesthetic, to elaborate the nature and achievements of anarchic farce and to locate him in relation to the developments in contemporary literature and art which have formed essential components of a post-modern sensibility.

Christopher Bigsby, an award-winning novelist, biographer and theatrical historian, is an emeritus professor at the University of East Anglia. He has written plays for BBC radio and television, was for many years a presenter for BBC Radio 4, is the author of a poetry collection, and has published more than sixty books including studies of British and American playwrights.

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