Johanna Beyer

Regular price €25.99
Title
1930s
1940s
A01=Amy C. Beal
American composers
American ultramodernism
Author_Amy C. Beal
band
Bertha Capen Reynolds
biography
Carl Ruggles
Category=DNBF
chamber groups
Charles Seeger
choir
composers
Composers' Forum-Laboratory
contrapuntal
dissonant counterpoint
early electronic music
electronic
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_nobargain
eq_non-fiction
experimental music
Federal Music Project
forms
forties
German composers
Henry Cowell
Horizons
instruments
Johanna Beyer
Mannes School
modernism
modernist musicians
music
music biography
music composition
music history
Music of the Spheres
musical structures
new music
New School of Social Research
New York
New York City
orchestra
percussion ensemble
percussion-ensemble repertoire
piano
Ruth Crawford
Sonatina in C
structures
teacher
thirties
ultramodernism

Product details

  • ISBN 9780252080722
  • Weight: 227g
  • Dimensions: 152 x 216mm
  • Publication Date: 03 Mar 2015
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
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Composer Johanna Beyer's fascinating body of music and enigmatic life story constitute an important chapter in American music history. As a hard-working German émigré piano teacher and accompanist living in and around New York City during the New Deal era, she composed plentiful music for piano, percussion ensemble, chamber groups, choir, band, and orchestra. A one-time student of Ruth Crawford, Charles Seeger, and Henry Cowell, Beyer was an ultramodernist, and an active member of a community that included now-better-known composers and musicians. Only one of her works was published and only one recorded during her lifetime. But contemporary musicians who play Beyer's compositions are intrigued by her originality.
 
Amy C. Beal chronicles Beyer's life from her early participation in New York's contemporary music scene through her performances at the Federal Music Project's Composers' Forum-Laboratory concerts to her unfortunate early death in 1944. This book is a portrait of a passionate and creative woman underestimated by her music community even as she tirelessly applied her gifts with compositional rigor.
 
The first book-length study of the composer's life and music, Johanna Beyer reclaims a uniquely innovative artist and body of work for a new generation.
Amy C. Beal is a professor of music at the University of California, Santa Cruz, and the author of Carla Bley and New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification.