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John Leslie Breck
John Leslie Breck
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★★★★★
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€49.99
A01=Erica E. Hirshler
A01=Jeffrey R. Brown
A01=Jonathan Stuhlman
A01=Katherine Bourguignon
A01=Royal W Leith
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Age Group_Uncategorized
Author_Erica E. Hirshler
Author_Jeffrey R. Brown
Author_Jonathan Stuhlman
Author_Katherine Bourguignon
Author_Royal W Leith
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Category1=Non-Fiction
Category=ACVT
Category=AGA
Category=AGB
Claude Monet
COP=United Kingdom
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Dennis Miller Bunker
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Giverny
Impressionism
John Leslie Breck
Language_English
Lila Cabot Perry
Mint Museum
PA=Available
post-ImpressionismAmerican art colony at Giverny
Price_€20 to €50
PS=Active
softlaunch
Suzanne Hoschede-Monet Sewing
Terra Foundation collection of American art
Theodore Robinson
Willard Metcalf
Product details
- ISBN 9781911282891
- Dimensions: 241 x 279mm
- Publication Date: 18 Oct 2021
- Publisher: D Giles Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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John Leslie Breck (1860-1899) was one of the founders of the American art colony at Giverny and was among the earliest American artists to embrace the Impressionist style. He was also one of the first to exhibit his Impressionist paintings in America and helped to popularize the style during his years working in the Boston area in the 1890s. Between 1887 and 1888 he and a handful of his American colleagues began visiting the French village of Giverny, where they met Claude Monet and subsequently explored the new approach to painting that Monet had helped to pioneer. Breck's canvases from this period, loosely brushed and filled with light and color, are a marked departure from his earlier works that are characterized by darker tonalities and tighter brushwork that typified the preferred style of the era. When Breck returned to America in 1892, he applied what he had learned to paintings of the New England landscape and frequently exhibited his work. Inspired by The Mint Museum's 2016 acquisition of John Leslie Breck's canvas Suzanne Hoschede-Monet Sewing, this volume includes approximately 70 of Breck's finest works, drawn from public and private collections. Along with his scenes of Giverny and America, this volume features a selection of paintings from his sojourn in Venice in 1897. Always interested exploring in new ways of seeing the world, Breck had begun to explore aspects of post-Impressionism and Asian aesthetics in the years before his early death, at the age of 39, in 1899. This volume also features up to 36 additional comparative images, including details, photographs, and paintings by Monet and other leading American impressionists including Willard Metcalf, Theodore Robinson, Lila Cabot Perry, Childe Hassam, and Arthur Wesley Dow, presented throughout the main essays and chronology and appendices.
Katherine Bourguignon is curator at the Terra Foundation's Musee d'Art Americain, Giverny; Jeffrey Brown a retired art dealer and the former curator of American art at the Indianapolis Museum of Art; Erica E Hirshler is Croll Senior Curator of American Paintings, Museum of Fine Arts Boston; Royal W. Leith is a writer and an independent art historian specializing in late nineteenth century American art; Dr. Jonathan Stuhlman is senior curator of American Art at The Mint Museum.
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