John Lydgate

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A01=Derek Pearsall
Abbot Whethamstede
Author_Derek Pearsall
Book III
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Category=DSC
Chaucer
Chaucerian influence
Courtly Poems
courtly verse studies
Critical Poetry
Danse Macabre
De Casibus
De Casibus Illustrium Virorum
Didactic Medieval Poems
Didactic Poems
Edward III
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eq_biography-true-stories
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eq_non-fiction
Fables
Fifteen Joys
Geoffrey Chaucer
Gower's Confessio Amantis
Gower’s Confessio Amantis
John Lydgate
John Paston
John Whethamstede
Laurent De Premierfait
literary tradition analysis
Lydgate's literary tradition
Lydgate's Poem
Lydgate's Religious Poetry
Lydgate's Work
Lydgate’s literary tradition
Lydgate’s Poem
Lydgate’s Work
medieval English poetry
Medieval Fables
medieval literature
Medieval Monasticism
Medieval Monks
Medieval Poems
medieval poetic mind exploration
Medieval Religious Poetry
Medievalism
Middle Ages
Middle English
Misericordias Domini
Monastic Background
monastic literary culture
Monasticism
Monk's Tale
Monks
Monk’s Tale
Religious Poetry
rhetorical artistry medieval
Rhyme Royal Stanza
Sainte Denys
Scottish poetry
Sir John Paston
Stans Puer Ad Mensam
Tame Tiger
The Fall of Princes
Thebes
Thomas Chaucer
Tito Livio Frulovisi
Troy
Troy Book
Victimae Paschali Laudes
Wood Men

Product details

  • ISBN 9780367187781
  • Weight: 770g
  • Dimensions: 138 x 216mm
  • Publication Date: 10 Jul 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Originally published in 1970, John Lydgate sets out to restore a sense of perspective to the work of Lydgate, not by attributing a spurious modernity as a precursor of the Renaissance, but by accepting the fact that he is fundamentally medieval. The book analyses Lydgate’s background in literary tradition and compares this with Chaucer’s work. The book looks at Lydgate as a professional craftsman and examines how his work adapted to the demands and occasions of his age. Without over-valuing the poetry, this approach makes it possible to discriminate with increased objectivity between the more and less worthwhile and to distinguish the unexpectedly large number of poems in which craftsman-like competence rises to rhetorical artistry of a high order. In accepting Lydgate as the epitome of his age, the book also provides a diagram of the medieval poetic mind in its basic form and suggests the usefulness of Lydgate as a source book for the understanding of medieval literature.

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