John Ruskin and the Fabric of Architecture

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19th century
20th century
A01=Anuradha Chatterjee
Adorned Wall Veil
architectural
architecture
Author_Anuradha Chatterjee
Baldassare Longhena
body
Category=AMA
Deep Space
Dress Studies
dressing
Ducal Palace
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
feminine architecture discourse
gender
gender in architectural theory
gender studies
God Fathered
Henri Labrouste
history
Ideal Dress
John Ruskin
morality and design
Mornington Peninsula
nineteenth century
nineteenth century architecture
Northern Gothic
Paolo Guinigi
Petit Trianon
Polychromatic Wall
Rembrandt Harmenszoon Van Rijn
RIBA Gold Medal
Ruskin Foundation
Ruskin Library
Ruskin's Drawing
Ruskin's Interest
Ruskin's Theory
Ruskin's Writings
Ruskin’s Drawing
Ruskin’s Interest
Ruskin’s Writings
San Frediano
San Miniato Al Monte
St Mark's Basilica
St Mark’s Basilica
surface
surface theory
textile analogy
twentieth century
visual culture studies
visual studies
Wall Veil
women

Product details

  • ISBN 9780367207359
  • Weight: 310g
  • Dimensions: 174 x 246mm
  • Publication Date: 17 Jan 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Through the theoretical lenses of dress studies, gender, science, and visual studies, this volume analyses the impact John Ruskin has had on architecture throughout the nineteenth and twentieth centuries. It explores Ruskin’s different ideologies, such as the adorned wall veil, which were instrumental in bringing focus to structures that were previously unconsidered.

John Ruskin and the Fabric of Architecture examines the ways in which Ruskin perceives the evolution of architecture through the idea that architecture is surface. The creative act in architecture, analogous to the divine act of creation, was viewed as a form of dressing. By adding highly aesthetic features to designs, taking inspiration from the 'veil' of women’s clothing, Ruskin believed that buildings could be transformed into meaningful architecture. This volume discusses the importance of Ruskin’s surface theory and the myth of feminine architecture, and additionally presents a competing theory of textile analogy in architecture based on morality and gender to counter Gottfried Semper’s historicist perspective.

This book would be beneficial to students and academics of architectural history and theory, gender studies and visual studies who wish to delve into Ruskin’s theories and to further understand his capacity for thinking beyond the historical methods. The book will also be of interest to architectural practitioners, particularly Ruskin’s theory of surface architecture.

Anuradha Chatterjee (PhD) is Professor and Dean, Faculty of Design, Manipal University Jaipur. She is a registered architect in India, with M. Arch and PhD from the University of New South Wales, Australia. Prior to joining Manipal University Jaipur, Dr Chatterjee was the Dean Academics at Avani Institute of Design, where she was responsible for establishing culture and systems for academic excellence. Dr Chatterjee is the Regional Editor (Asia Pacific) at Taylor and Francis journal Textile: Journal of Cloth and Culture, and she is the Area Editor for Asia, Bloomsbury Global Encyclopedia of Women in Architecture 1960-2015 (edited by Karen Burns and Lori Brown, forthcoming in 2021).

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