John Zorn’s File Card Works

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A01=Maurice Windleburn
Author_Maurice Windleburn
avant-garde composition
Category=AVA
Category=AVLA
Category=AVP
ekphrasis in music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_new_release
eq_nobargain
eq_non-fiction
Godard (1985)
hermeneutic methodology
Hypertextual Links
intermedia analysis
Interzone (2010)
John Zorn
Liber Novus (2010)
music semiotics
semiotic analysis of file card works
Spillane (1986)
uncreative aesthetics

Product details

  • ISBN 9781032342887
  • Weight: 280g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book is the first study of John Zorn’s ‘file card’ works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010). It explains the unique creative process behind these compositions, contextualizing them in relation to the history of file cards, the ‘open work’ concept, cinematic listening, and uncreative aesthetics. Semiotic, hermeneutic, and ekphrastic analyses draw hypertextual links between the four file card compositions and the worlds of their respective dedicatees: author Mickey Spillane, filmmaker Jean-Luc Godard, novelist William S. Burroughs and painter Brion Gysin, and psychiatrist C. G. Jung.

This book will appeal not only to those interested in Zorn’s music, but also to scholars of music semiotics and hermeneutics, intermedia studies, and avant-garde music.

Maurice Windleburn holds a PhD in Musicology from the University of Melbourne, Australia. His research focuses on avant-garde music, music philosophy, and ekphrastic relations between music and other artforms. His work has been published in a number of journals, including Organised Sound, Tempo, and the Journal of Comparative Literature and Aesthetics.

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