Home
»
Joseph Banks' Florilegium
Joseph Banks' Florilegium
★★★★★
★★★★★
Regular price
€49.99
A14=Mel Gooding
A19=Joe Studholme
A19=Joseph Studholme
A21=David Mabberley
Age Group_Uncategorized
Age Group_Uncategorized
australia
automatic-update
botanical
brazil
captain cook
Category1=Non-Fiction
Category=AGNB
Category=WNP
COP=United Kingdom
Delivery_Delivery within 10-20 working days
drawing for biology
drawing for science
engraving
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
etching
floral illustration
how to draw
java
Language_English
madeira
new zealand
PA=Available
Price_€20 to €50
printmaking
prints
PS=Active
science drawing
sketchbook
society islands
softlaunch
tierra del fuego
Product details
- ISBN 9780500022870
- Weight: 1420g
- Dimensions: 202 x 270mm
- Publication Date: 12 Sep 2019
- Publisher: Thames & Hudson Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Joseph Banks accompanied Captain Cook on his first voyage round the world from 1768 to 1771. A gifted and wealthy young naturalist, Banks collected exotic flora from Madeira, Brazil, Tierra del Fuego, the Society Islands, New Zealand, Australia and Java, bringing back over 1,300 species that had never been seen or studied by Europeans. On his return, Banks commissioned over 700 superlative engravings between 1772 and 1784. Known collectively as Banks’ Florilegium, they are some of the most precise and exquisite examples of botanical illustration ever created.
The Florilegium was never published in Banks’ lifetime, and it was not until 1990 that a complete set in colour was issued in a boxed edition (limited to 100 copies) under the direction of the British Museum (Natural History). It is from these prints that the present selection is made, directed by David Mabberley, who has provided expert botanical commentaries, with additional texts by art historian Mel Gooding, setting the works in context as a perfect conjunction of nature, science and art. An afterword by Joseph Studholme describes the history of the modern printing.
The Florilegium was never published in Banks’ lifetime, and it was not until 1990 that a complete set in colour was issued in a boxed edition (limited to 100 copies) under the direction of the British Museum (Natural History). It is from these prints that the present selection is made, directed by David Mabberley, who has provided expert botanical commentaries, with additional texts by art historian Mel Gooding, setting the works in context as a perfect conjunction of nature, science and art. An afterword by Joseph Studholme describes the history of the modern printing.
Mel Gooding is an art historian, writer and curator. He has taught at Edinburgh and Wimbledon Schools of Art, among others, and contributes regularly to the art press. Professor David Mabberley has served as Executive Director of the Royal Botanic Gardens and Domain Trust in Sydney. He is an Emeritus Fellow at Wadham College, Oxford, Adjunct Professor at Macquarie University, Sydney, and Professor Extraordinary at the University of Leiden, The Netherlands. Joe Studholme co-founded Editions Alecto and undertook the printing of Banks’ Florilegium from the original copper plates between 1980 and 1990.
Qty:
