Joyce Wieland's 'The Far Shore'

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A01=Johanne Sloan
Age Group_Uncategorized
Age Group_Uncategorized
art
Author_Johanne Sloan
automatic-update
canadian culture
Category1=Non-Fiction
Category=AGA
Category=APFA
Category=ATFA
COP=Canada
culture
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film
Language_English
PA=Available
politics
Price_€20 to €50
PS=Active
SN=Canadian Cinema
softlaunch
utopian

Product details

  • ISBN 9781442610606
  • Weight: 140g
  • Dimensions: 127 x 178mm
  • Publication Date: 29 May 2010
  • Publisher: University of Toronto Press
  • Publication City/Country: CA
  • Product Form: Paperback
  • Language: English
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The Far Shore (1976), made under the direction of celebrated visual artist and experimental filmmaker Joyce Wieland, is one of Canada's most innovative contributions to cinema. The film borrows elements from the life of Canadian painter Tom Thomson, who is represented by the character of Tom McLeod. The main character, however, is not Tom, but the fictional creation of Eulalie de Chicoutimi, the married Québécoise woman who loves him. Using Eulalie's perspective, Wieland was able to re-frame Thomson's life and story as a romantic melodrama while infusing it with subversive commentary on gender, nature and nationalism, and ultimately, on the value of art.

Here, Wieland specialist Johanne Sloan offers a fascinating new perspective on The Far Shore, making it more accessible by discussing Wieland's utopian fusion of art and politics, the importance of landscape within Canadian culture, and the on-going struggle over the meaning of the natural environment.

Johanne Sloan is an associate professor in the Department of Art History at Concordia University.

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