Jungian Film Studies

Regular price €55.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Helena Bassil-Morozow
A01=Luke Hockley
Age Group_Uncategorized
Age Group_Uncategorized
alchemy symbolism
analytical
archetypal analysis
Author_Helena Bassil-Morozow
Author_Luke Hockley
automatic-update
Category1=Non-Fiction
Category=APF
Category=ATF
Category=JBCT
Category=JMAF
Category=JMAJ
Cinematic Experience
collective unconscious
Contemporary Society
COP=United Kingdom
Delivery_Delivery within 10-20 working days
DVD Release
edward
Edward Scissorhands
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairy Tales
Female Individuation
Film Theory
Fury Road
gender identity cinema
Good Morning Vietnam
Hero's Journey
Hero’s Journey
image
Inglourious Basterds
Jungian Film
Jungian Film Criticism
Jungian Film Scholars
Jungian Film Studies
Jungian Psychology
Jungian Theory
Jungian View
Language_English
Mermaids
moving
Moving Image Narratives
narrative structure analysis
narratives
nicolas
Nicolas Roeg
PA=Available
Persona
phenomenology film studies
Price_€20 to €50
PS=Active
psychoanalytic
Psychoanalytic Film Theory
psychology
scissorhands
softlaunch
theory
unconscious symbolism in cinema
Visual Narrative Analysis
Young Man

Product details

  • ISBN 9780415531450
  • Weight: 318g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Jungian film studies is a fast-growing academic field, but Jungian and post-Jungian concepts are still new to many academics and film critics. Helena Bassil-Morozow and Luke Hockley present Jungian Film Studies: The Essential Guide, the first book to bring together all the different strands, issues and arguments in the discipline, and guide the reader through the various ways in which Jungian psychology can be applied to moving images.

Bassil-Morozow and Hockley cover a range of Jungian concepts including the collective unconscious, archetypes, the individuation process, alchemy, and signs and symbols, showing how they can be used to discuss the core cinematic issues such as narrative structure, gender, identity, genre, authorship, and phenomenology. The authors argue that, as a place where the unconscious and conscious meet, cinema offers the potential for imagery that is psychologically potent, meaningful, and that plays a role in our personal psychological development.

This much-needed book, which bridges the space between Jungian concepts and traditional film theory, will be essential reading for scholars and students of Analytical Psychology, psychoanalysis, Jungian film studies, media, film and cultural studies, psychosocial psychology and clinical psychology. It will also appeal to analytical psychologists, psychotherapists and readers with an interest in film analysis.

Helena Bassil-Morozow, PhD, is a cultural philosopher, media and film scholar, and academic writer whose many publications include Tim Burton: The Monster and the Crowd, The Trickster in Contemporary Film and The Trickster and the System: Identity and Agency in Contemporary Society (all Routledge).She is currently working on several other Routledge projects. She is a Lecturer in Media and Communication at Glasgow Caledonian University, UK. www.hbassilmorozow.com.

Luke Hockley, PhD, is Research Professor of Media Analysis at the University of Bedfordshire, UK. He is a practising psychotherapist and is registered with the United Kingdom Council for Psychotherapy (UKCP). Luke is joint Editor in Chief of the International Journal of Jungian Studies (IJJS) and a member of the Advisory Board for the journal Spring. His publications include Jung and Film 2, Somatic Cinema: The Relationship between Body and Screen – a Jungian Perspective and The Happiness Illusion: How the Media Sold Us a Fairy Tale (all Routledge). He lectures widely. www.lukehockley.com.

More from this author