K-pop Dance

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A01=Chuyun Oh
Author_Chuyun Oh
Backup Dancers
Black Swan
BTS
Category=ATQ
Concert Dance
Corps De Ballet
Cover Dancers
Dance Bans
Dance Challenges
Dance Crew
Dance Team
Dance Videos
digital choreography
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fan-dancers
fandom
Improvisational Solo Dance
intercultural communication
Intercultural Performance
K-pop
K-pop dance
Korean International Students
Male Dancers
Official Music Video
participatory observation methods
Performance Ethnography
performance studies
qualitative ethnography
Refugee Teen
Seo Taiji
social media dance
social media dance research
Social Popular Dance
Traditional Korean Dance
Vaslav Nijinsky
Vice Versa
War Times
Young Men
youth identity formation

Product details

  • ISBN 9781032079424
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Jul 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book is about K-pop dance and the evolution and presence of its dance fandom on social media.

Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called ‘gestural point choreography’ – front-driven, two-dimensional, decorative and charming movements of the upper body and face – as an example of what the author theorizes as ‘social media dance.’ It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually ‘fandoming’ themselves and their bodies.

Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance.

Chuyun Oh is an Assistant Professor of Dance at San Diego State University. As a Fulbright scholar and former professional dancer, she studies racial and gender identities in performance. She is a co-author of Candlelight Movement, Democracy and Communication in Korea, Routledge 2021.

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