Kaikhosru Sorabji's Letters to Philip Heseltine (Peter Warlock)

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adult friendship
Anglo-Parsi composer-critic
British
British composers
British Language
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Cecil Gray
Chopin
correspondence analysis
cultural identity in music
Documents 38c
early modernism
Early Music Revival
English Musical Renaissance
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ethnicity sexuality Western music
Frederick Delius
George Alagiah
Harmonic Series
Harvey Grace
Heseltine's reactions
Kaikhosru Sorabji
Liszt's Hungarian Rhapsodies
Liszt’s Hungarian Rhapsodies
Modern French School
musical modernism
musicology
Oiseaux Tristes
Peter Warlock
Philip Heseltine
queer music studies
S Boxes
Sorabji's Music
Sorabji’s Music
Superb
Van Dieren
Young Men

Product details

  • ISBN 9781138478435
  • Weight: 430g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Jun 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Two extraordinary personalities, and one remarkable friendship, are reflected in the unique corpus of letters from Anglo-Parsi composer-critic Kaikhosru Sorabji (1892-1988) to Philip Heseltine (Peter Warlock) (1894-1930): a fascinating primary source for the period 1913-1922 available in a complete scholarly edition for the first time. The volume also provides a new contextual, critical and interpretative framework, incorporating a myriad of perspectives: identities, social geographies, style construction, and mutual interests and influences. Pertinent period documents, including evidence of Heseltine’s reactions, enhance the sense of narrative and expand on aesthetic discussions. Through the letters’ entertaining and perceptive lens, Sorabji’s early life and compositions are vividly illuminated and Heseltine’s own intriguing life and work recontextualised. What emerges takes us beyond tropes of otherness and eccentricity to reveal a persona and a narrative with great relevance to modern-day debates on canonicity and identity, especially the nexus of ethnicity, queer identities and Western art music. Scholars, performers and admirers of early twentieth-century music in Britain, and beyond, will find this a valuable addition to the literature. The book will appeal to those studying or interested in early musical modernism and its reception; cultural life in London around and after the First World War; music, nationality and race; Commonwealth studies; and music and sexuality.

Brian Inglis is Senior Lecturer in Music and BA Music Programme Leader, Department of Performing Arts, Middlesex University UK.

Barry Smith is a former Organist and Master of the Choristers at St George’s Cathedral Cape Town and Associate Professor in the Faculty of Music at Cape Town University. He is President of the Peter Warlock Society.