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Kandinsky and Klee in Tunisia
20th century art
A01=Cristina Ashjian
A01=Roger Benjamin
Age Group_Uncategorized
Age Group_Uncategorized
ancient tunisian cities
arab art
art history
art of middle east
august macke
Author_Cristina Ashjian
Author_Roger Benjamin
automatic-update
belvedere park
Category1=Non-Fiction
Category=ACXD
Category=AFC
Category=AGA
Category=AGB
colonial culture
colonial politics
COP=United States
cubism
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethno decorative art
european avant garde
european high modernism
exotic art
gabriele munter
hammamet
kairouan
Language_English
louis moilliet
modern carthage
PA=Available
paul klee
Price_€20 to €50
PS=Active
softlaunch
sousse
tourist photography
tunis
tunisa
tunisian decorative art
visual ethnography
wassily kandinsky
Product details
- ISBN 9780520283657
- Dimensions: 178 x 254mm
- Publication Date: 18 Aug 2015
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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Paul Klee experienced his 1914 trip to Tunisia as a major breakthrough for his art: Color and I are one," he famously wrote. I am a painter." Kandinsky and Klee in Tunisia sets the scene for Klee's breakthrough with a close study of the parallel voyage undertaken in 1904 5 by Wassily Kandinsky and Gabriele Munter, who would later become Klee's friends. This artist couple, then at an early stage in their celebrated careers, produced a rich body of painting and photography known only to specialists. Paul Klee's 1914 trip with August Macke and Louis Moilliet, in contrast, is a vaunted convergence of cubism and the exotic. Roger Benjamin refigures these two seminal voyages in terms of colonial culture and politics, the fabric of ancient Tunisian cities, visual ethnography, and the tourist photograph. The book looks closely at the cities of Tunis, Sousse, Hammamet, and Kairouan to flesh out a profound confrontation between European high modernism and the wealth of Islamic lifeways and architecture. Kandinsky and Klee in Tunisia offers a new understanding of how the European avant-garde was formed in dialogue with cultural difference.
Roger Benjamin is Professor of Art History at the University of Sydney. His notable publications include the prize-winning Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880--1930. In 1995 he co-curated Matisse for the Queensland Art Gallery, and in 1997 his exhibition Orientalism: Delacroix to Klee was held at the Art Gallery of New South Wales. He is former Director of the Power Institute at the University of Sydney. Cristina Ashjian is an independent scholar based in New England, where she is chair of the Moultonborough Heritage Commission. She earned her MA in the History of Art at the Courtauld Institute, London, and as German Chancellor Fellow at the University of Munich in 1995--96 she researched her doctoral dissertation, "Representing 'scenes et types': Wassily Kandinsky in Tunisia, 1904--1905." She has collaborated on the research for Kandinsky and Klee in Tunisia.
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