Kantor: A Biography

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20th century European culture
A01=Krzysztof Plesniarowicz
art
Author_Krzysztof Plesniarowicz
avant-garde theater
Category=AB
Category=AGA
Category=ATD
Category=DNBF
Central European avant-garde movements
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
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eq_new_release
eq_nobargain
eq_non-fiction
experimental stagecraft
Krysztof Plesniarowicz
memory and trauma
painting
performance studies
Polish art history
Tandeusz Kantor
The Dead Class
theatre
Theatre of Death
Wielopole

Product details

  • ISBN 9781032993409
  • Weight: 630g
  • Dimensions: 152 x 229mm
  • Publication Date: 20 Apr 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Kantor: A Biography offers the first comprehensive English-language artistic biography of the Polish visual artist, avant-garde innovator and theatre practitioner Tadeusz Kantor (1915–90).

This book traces Kantor’s creative trajectory from clandestine wartime performances to the international acclaim of the Cricot 2 theatre, examining his achievements across painting, performance, happenings and experimental theatre. Like Kantor’s own works, the study synthesizes the personal and the historical. His radical aesthetic experimentation articulated loss, survival and the construction of memory, most notably in The Theatre of Death. It reflected twentieth-century Central Europe’s turbulent history of war, occupation, genocide, totalitarianism and democratic revival. Drawing on previously unknown archival sources, the biography offers new insights into Kantor’s life and artistic practice. It traces his interactions with international avant-garde and neo-avant-garde movements and highlights the significance of his theoretical writings and stage work for world theatre, as well as lesser-known aspects of his teaching and set design.

Integrating biography, art history, and performance studies, Kantor: A Biography will appeal to scholars and students of theatre, visual art and cultural history, as well as readers around the world interested in twentieth-century artistic pioneers.

Krzysztof Pleśniarowicz (author) is Professor and Head of the Department of Contemporary Culture at the Jagiellonian University (UJ) in Krakow and former Director of the Cricoteka Centre for the Documentation of the Art of Tadeusz Kantor in Krakow (1994–2000). His publications include The Theatre of Un-Human Forms (in Polish, 1994 and 2023), The Space of Anti-Illusion: Twentieth-century Models of the Theatrical Work (in Polish, 1996 and 2020, in English, 2024), Eastern Drama of the Absurd in the Twilight of the Soviet Block (in Polish, 2000 and 2021; in English, 2023), The Dead Memory Machine: Tadeusz Kantor’s Theatre of Death (in Polish, 1990; in English, 1994 and 2004; in Hungarian, 2007), Kantor: A Biography (in Polish, 1997 and 2018, in Serbian, 2025). He has also prepared critical editions of Tadeusz Kantor’s writings (in Polish, 2000 and 2005; in Romanian, 2014).

Paul Vickers (translator) studied Polish and German at University College London, followed by a master’s degree and a PhD in Slavonic studies from the University of Glasgow. He is employed at the University of Regensburg. He has published research on Polish culture and history. His translations include Performing Poland by Dariusz Kosiński (2019) and Theorizing Archaeological Museum Studies by Monika Stobiecka (2024), as well as numerous articles by Ewa Domańska and an online encyclopaedia on the life and works of Jerzy Grotowski.

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