Kata Legrady

Regular price €38.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
19th century
20th century
20th century history
A01=Arturo Schwarz
A01=Bazon Brock
A01=Gino Di Maggio
Age Group_Uncategorized
Age Group_Uncategorized
american history
architecture
architecture books
art books
art history
artist
artists
arts
Author_Arturo Schwarz
Author_Bazon Brock
Author_Gino Di Maggio
autobiography
automatic-update
B01=David Rosenberg
biographies
biography
books about books
Category1=Non-Fiction
Category=ACXJ
Category=AGA
Category=AGB
cezanne
COP=Italy
criticism
cultural anthropology
culture
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
essays
european history
fashion
fashion books
language
Language_English
literary collections
literary criticism
modernism
music
nature
PA=Available
painting
philosophy
photography
pop art
pop culture
popular culture
Price_€20 to €50
PS=Active
renaissance
softlaunch
street art
venice
vienna
walking
world history
writing

Product details

  • ISBN 9788857219653
  • Weight: 640g
  • Dimensions: 220 x 260mm
  • Publication Date: 02 Jun 2014
  • Publisher: Skira
  • Publication City/Country: IT
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
Kata Legrady (Hungary 1974) belongs to that long line of artists for whom an object offers the stimulus for artistic thought. Her approach takes the form of a symbolic encounter between objects associated with childhood with those associated with violence. In her work, an artillery shell, a bomb, a pistol, a Kalashnikov can be transformed from devices of death to works of art. The book gathers the work exhibited at Mudima foundation of the artist from the Guns and Candies of 2008, to the Gasmasks of 2009, Little Boy in 2009 and 2010, and the more recent works, from 2011: Mickey, Pearl Harbor; Government Balançoir; CatWoman; Cheval à Bascule, all the way to the Disney series. At first sight there is no precise message, no hidden aspect. We are not dealing with complex and stratified arrangements of images or objects but with restrained, frontal and simplified compositions. They are carriers that, as Jeff Koons put it so well, are there “to stimulate and activate the viewer’s mental and physical state”.